Grants Category

Tuesday, October 27th, 2009

“Digital Scrapbooking and Oral Histories”

citation
Ball, Cheryl E. (2005). Digital scrapbooking and oral histories [pre-proposal]. Dee Foundation. $60,000. [not funded].

abstract
This project intended to collect oral histories of local Utah residents & scan their keepsake/artifacts for arhival purposes.

accompanying materials

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Tuesday, October 27th, 2009

“Editing an Online (Digital) Multimedia Book in English Studies”

citation
Ball, Cheryl E. (2008). The new work of composing: Editing an online (digital) multimedia book in English studies. Research Enhancement Award, College of Arts and Sciences, Illinois State University. $4,000 [not funded/waitlisted].

abstract
The New Work of Composing is the working title to the field of English Studies’ first digital, multimedia-rich “book” to be published in the field’s first fully online press: Computers and Composition Digital Press. This research grant will support the principle investigator, who is co-editor of The New Work of Composing, through a course release. During the release time, the PI will (1) provide initial feedback and editorial support for authors submitting to the collection, (2) edit the digital, multimedia submissions, which are due early in the spring of 2009, (3) study the process of editing scholarly, book-length, digital collections that contain multimedia elements, and (4) work toward the publication of a scholarly article about the process of authoring and editing large, digital multimedia collections to satisfy (in small part) the field’s increased interest in understanding and evaluating digital scholarship (especially digital books) for tenure and promotion purposes.

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Tuesday, October 27th, 2009

“Composing _The New Work of Composing_”

citation
Ball, Cheryl E. (2009). Composing The New Work of Composing: A Born-Digital Afterword Reflecting on Digital Scholarship for a Born-Digital Book. NEH 2009 Summer Stipend. $6,000. [Not funded]

abstract
The Modern Language Association reports that over 52% of humanities department chairs have no experience evaluating digital books for tenure/promotion, including “born-digital” books (i.e., a book that exists only in a digital format, with no possible print or analog counterpart). I intend to edit the first born-digital scholarly book in English studies, The New Work of Composing. This book will add to humanities’ understanding of writing in a digital age by providing an example of born-digital scholarship that will help us consider the new intellectual work of the “book.” The deliverables for this NEH summer stipend include designing the book’s interface and composing the afterword, a media-rich assessment of digital scholarship with an emphasis on the process of writing, designing, and editing the field’s first born-digital, scholarly book. Computers and Composition Digital Press—the humanities’ first digital-only, open-access, academic press—has asked for a prospectus in Spring 2009.

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Tuesday, October 27th, 2009

“Assessing Faculty & Student Multimodal Teaching and Learning Practices Across Campus”

citation
Ball, Cheryl E.; Ellison, Katherine; Thompson, Torri; Justice, Hilary; Neuleib, Janice; & Kalmbach, James. (2009). Assessing faculty & student multimodal teaching and learning practices across campus. Department/School Initiative in the Scholarship of Teaching and Learning, Illinois State University. $10,000. [not funded]

abstract
This grant proposal was intended to fund a series of surveys and workshops to assess how teachers across the curriculum at Illinois State University implemented student-based projects using multiple media.

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Tuesday, October 27th, 2009

“Creating Sustainable Teaching Practices for Multimodal Scholarship”

citation
Ball, Cheryl E. (2009, October 1). Creating sustainable teaching practices for multimodal scholarship. NEH Teaching Development Fellowship. $21,000. [under review]

abstract
I am requesting funding of $21,000 over the five-month period August–December 2010 to complete a teaching development project aimed at creating templates for multimodal scholarship, which I will use as the basis for my English 239: Multimodal Composition course at Illinois State University. These templates will use a selection of open-source software created in partial conjunction with University of Southern California’s Institute for Multimedia Literacy. The release time this stipend provides will allow me to travel to USC to work with these designers and to create three templates and three tutorials (on how to use those templates) so that my students can practice more cutting-edge and more sustainable digital humanities scholarly practices.

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Tuesday, October 27th, 2009

“Professional Development through Preparation of a Digitally Enhanced Tenure Portfolio”

citation
Ball, Cheryl E. (2008, Summer). Professional development through preparation of a digitally enhanced tenure portfolio. Summer Faculty Professional Development Fellowship, Illinois State University. $5,000.

summary
This summer I will begin work on a year-long project to design my tenure portfolio materials for digital, multimedia distribution. One professional development outcome relevant to this fellowship application will be scholarly presentation(s) for ISU tenure and promotion stakeholders on evaluating digital work in tenure cases. I will also produce an article about the process of preparing digital tenure portfolios. This application is requesting summer salary to support my work on this project.

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Tuesday, October 27th, 2009

“Teaching The New Work of Composing”

citation
Ball, Cheryl E., & et al. [12 undergraduates]. (2008). Teaching The new work of composing: Undergraduate research in digital scholarship. Teaching-Learning Development Grant, Illinois State University. $2,000.

abstract
A unique opportunity has arisen for the students in my English 239 (Multimodal Composition) class; they have been invited to the Thomas R. Watson Conference on Rhetoric and Composition at the University of Louisville this October, where they will collect research to complete their major class projects. The students will interview conference presenters, film and audio-record sessions, and, from that data collection, produce a digital, multimedia-based book chapter for submission to the first “born-digital” scholarly book in English studies, The New Work of Composing. This book is set to be published by the first all-digital, academic press in the humanities, Computers and Composition Digital Press.

outcomes
The students collected digital assets from the conference and produced 3 digital media texts for a chapter called “Talking Back: Undergraduates and Digital Media Research,” which has been editorially reviewed by the two other editors of The New Work of Composing and accepted for publication.

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Tuesday, October 27th, 2009

“Digital Scholarship in the Humanities”

citation
Ball, Cheryl E. (2008–09). Digital scholarship in the Humanities, Part 1: Authors’ composition and revision processes of new media scholarship. New Faculty Initiative Grant, Illinois State University. $3,500.

abstract
My research question is whether new media scholars’ writing processes are the same whether they are composing for print or new media. That is, do the rhetorical decisions authors make when they are composing change depending on whether they are writing for print or writing for new media. My primary objective is to discover the connections (as well as any disconnections) between these composition processes for authors, whom I will interview. My purpose in doing this research is to compare the value of new media composition processes to the already-valued processes of composing for print. In addition, I hope to discover value differences between these composition strategies. The outcomes will include a national conference presentation and an article.

outcomes
I have successfully gathered the research for this project, which includes over 100 hours of video footage, screencasts, chat transcripts, and audio interviews (with one of the four authors) working collaboratively and at a distance as they composed a digital media chapter for the multimodal scholarly book I am editing, The New Work of Composing. My plan had been to code this data for use in the Afterword of the book, but that plan has shifted as the Afterword needed to accomplish different goals in the book. Thus, I plan to code the data and write it up for a future article and conference presentation.

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Tuesday, October 27th, 2009

“Humanities High Performance Computing Collaboratory”

citation
Group Leader/Consultant, Humanistic Algorithms Project. (2008–2009). Humanities High Performance Computing Collaboratory (HpC). Principle Investigator: Kevin Franklin (UIUC); Project Leader: Virginia Kuhn (USC). National Endowment for the Humanities Institute for Advanced Topics in the Digital Humanities Grant. $250,000 [External; ~$5,000 for travel/honoraria].

grant project description (from accompanying materials letter)

As one of the group leaders of the Humanistic Algorithms project—one of three humanities groups selected for the 2008–2009 HpC mini-residencies—you will collaborate with high performance computing specialists in order to identify, create, and adapt computational tools and methods. Your participation in this grant includes travel to three supercomputing centers for three different workshops tailored to address the specific challenges of your individual projects and research goals. The Humanistic Algorithms project is a collaboration between SEASR, I-CHASS, and the University of Southern California’s Institute for Multimedia Literary that focuses on building metadata algorithms for digital media content and creating a digital archive system in support of an open-access digital portfolio application for faculty and students at higher education institutions. Supercomputing workshops for the Humanistic Algorithms group include visits to the Pittsburgh Supercomputing Center on February 26-27, the San Diego Supercomputing Center on March 19-20, and the National Center for Supercomputing Applications from April 19-23 to participate in the third workshop and to attend the third annual HASTAC conference, Traversing Digital Boundaries. The year-long program will culminate in a final two-day conference in August 2009.

group/project abstract
Humanistic Algorithms: The University of Southern California’s Institute for Multimedia Literacy (IML) has faced a material challenge for the past eight years in realizing one of its primary goals: creating a digital archive system in support of the creation of digital portfolio application. The lack of sufficient computational resources for holding large collections of multimedia resources, most notably its robust digital portfolio of media-rich student projects and faculty teaching resources, has hindered IML’s creation of a pedagogical tool for faculty and students. The Humanistic Algorithms project is a collaboration between SEASR, ICHASS, and IML to address this challenge. The project is being imagined in phases, with the first stage to serve as a prototype to be completed by early June. SEASR will use data analytics to extract information from unstructured texts (i.e., raw textual data like websites, etc.) to produce semantic information that can be used to create meta-analyses of scholarly multimedia. From these meta-analyses, Humanistic Algorithms would like to contemplate: What are the components of scholarly multimedia? What is pedagogy in a networked world? How do we collaborate, train faculty, and teach students how to read and compose scholarly multimedia?

Note: Kairos (see under Edited Journals) is part of the corpus for the prototype algorithm, along with the IML student projects and two other scholarly, multimedia collections.

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Thursday, December 7th, 2006

“The Learning Suite”

citation
Ball, Cheryl E., & Moeller, Ryan. (2006–07). The Learning Suite: A collaborative, technology-rich environment to support writing/composition in a digital age. Utah State University Innovation Fund. $86,000 [Internal].

abstract
Digital technology has dramatically changed the cultural and social landscape in the last 10 years. Nationwide, writing-studies scholars—those who instruct classes like English 1010 and 2010 [e.g., the first- and second-year composition sequence]—have been attuned to this change, paying attention to how digital technology and sustainable lab environments affect students’ writing processes. This Innovation Fund proposal seeks to create a sustainable learning community, called the Learning Suite, built on how people actually write in the workplace and at home. The goal is to enhance students’ experiences with English 1010/2010 curricula—classes that all USU students take—by increasing students’ access to 21st-century, digital writing practices and environments. The Learning Suite will help students bridge the gap between the writing they do in their classes at USU and the writing they will do in the workplace and beyond.  This change, combined with increased contact with other students and instructors in the lab suite setting, will primarily serve to retain students beyond their first two years by helping them see writing as an engaging, social activity rather than a requirement.

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Tuesday, October 24th, 2006

“Uncovering Theories & Practices of Multiliteracies & New Media Pedagogies”

citation
Ball, Cheryl; Atkins, Anthony; Anderson, Daniel; Homicz Millar, Krista; Selfe, Cynthia; & Selfe, Richard. (2004–05). Uncovering Theories & Practices of Multiliteracies & New Media Pedagogies. CCCC Research Initiative Grant: National Council of Teachers of English/Conference on College Composition & Communication. $5,000.

abstract
This group conducted a survey to discover what sorts of instruction is happening at institutions with a nascent or established curriculum of multimodal pedagogy especially as it relates to student and faculty production of multimodal texts. Our aim is to produce a snapshot of various programs working to integrate multimodality into their writing classes. From this data, we hope to provide the CCCC audience with a set of standards/guidelines for best practices within this growing field.

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Sunday, September 3rd, 2006

“Uncovering Theories and Practices of Multiliteracies and New Media Pedagogies”

citation
Ball, Cheryl E. (2005–06). Uncovering Theories and Practices of Multiliteracies and New Media Pedagogies. New Faculty Research Grant. Utah State University. $10,633.

abstract
Literacy has changed as a result of technology, shifting from pedagogies based solely on writing instruction to multimodal pedagogies. My research question for this project is to discover what issues and obstacles nascent and established programs that teach the production of multimodal texts face. This grant extends research on the CCCC grant received the previous year.

accompanying materials

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