Tag: masters

Friday, October 30th, 2009

“Digital Scholarship Research and Revision Project”

citation
Advisor. (2009, Summer). Digital scholarship research and revision project (Matthew Wendling, undergraduate; Jonathan Myers, Masters). Illinois State University.

description
Wendling and Myers worked under my guidance to revise the digital media chapter that undergraduates in my Fall 2008 Multimodal Composition class authored for inclusion in the digital book I am co-editing, The New Work of Composing. Wendling’s work was supported through a Research and Sponsored Programs fellowship for undergraduate research.

accompanying materials

  • not available

see also

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Friday, October 30th, 2009

“Kairos Editing Internship”

citation
Advisor. Kairos editing internship, Illinois State University.

description
PhD students at Illinois State (and a Masters student at Utah State) have the occasional opportunity to be a research assistant for the journal I edit, Kairos: Rhetoric, Technology, Pedagogy. Depending on the journal’s needs at the time, students’ technical and theoretical skills, as well as how long they will be assigned to the journal based on departmental teaching needs, students are guided to perform different projects from copy- and design-editing to non-production projects such as designing promotional materials. Depending on the project, I create training documents or verbally guide students through the process.

students/projects

  • Kyle Jensen (Spring 2009), created promotional website for editorial projects, including Kairos, in department
  • Devon Fitzgerald (Spring 2008), worked on copy- and design-editing in production cycle
  • Susan Baxter (2004-06: volunteer), compiled a database-ready bibliography of citation contents for Kairos’s first ten years of publication

accompanying materials

  • none available

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Friday, October 30th, 2009

Phillips: “Digital Media Scholarship in the Humanities”

citation
Bedi Phillips. (2009, Fall). Digital Media Scholarship in the Humanities. Illinois State University.

description
Masters student in Arts Technology, Bedi Phillips, sat in on my English 239: Multimodal Composition class to work on an independent digital scholarship project. Graduate students had advanced readings and worked individually but otherwise contributed to class discussions and followed the undergraduate syllabus.

accompanying materials

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Friday, October 30th, 2009

Dimitroff: Masters Portfolio

citation
Co-chair, Masters portfolio committee. Daniel Dimitroff. (defense expected Spring 2010). Illinois State University.

description
As of Fall 2009, Dimitroff has just begun his masters portfolio, an option in the MA in Professional Writing and Rhetorics program in the English Department. He will produce an online portfolio that connects the visual and technical communication practices of storm-chasers (about which he has produced several digital and print artifacts for classes at ISU) with cyborg theories and digital rhetoric. Expected graduation to be Spring 2010. Dimitroff is a full-time technical writer.

accompanying materials

  • none

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Friday, October 30th, 2009

Baxter: “Online Citation and New Media Scholarship”

citation
Chair, Masters thesis committee. Susan Baxter. (2007, July). “Online Citation and New Media Scholarship: Kairos and the Case for Online Publication.” Utah State University.

description
As chair of Baxter’s Masters thesis committee, I guided her through writing an article-length thesis with an accompanying 72-page appendix that included her data. She spent a semester archiving all citations within Kairos: A Journal of Rhetoric, Technology, and Pedagogy and then coding them according to genre type so that she could compare the ways Kairos webtexts cited particular genres with other studies on the ways print articles cited those same (or different) genres. As of 2009, Baxter currently works full-time as a technical writer.

accompanying materials

  • none

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Friday, October 30th, 2009

White: “Enlightenment Aisle Eight”

citation
Chair, Masters thesis committee. Melinda White. (2007, April). “Enlightenment Aisle Eight” [creative/multimedia]. Utah State University.

description
As chair of White’s committee, I worked with colleagues on one of the department’s first creative, digital theses, “Enlightenment Aisle Eight.” White  drew on electronic literature and hypertext theory as well as creative writing to make an interactive, multimedia thesis. She also wrote an analytical essay describing the theories she used and why. After graduation, White began the interdisciplinary PhD program in Media, Art, and Text where she also has served as an assistant editor to the online literary journal, Blackbird.

accompanying materials

  • none

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Wednesday, March 11th, 2009

Myers: “Digital Media Scholarship in the Humanities”

citation
Jonathan Myers. (2009, Spring). Digital Media Scholarship in the Humanities. Illinois State University.

description
Masters student, Jonathan Myers, sat in on my English 239: Multimodal Composition class to work on an independent digital scholarship project. Graduate students had advanced readings and worked individually but otherwise contributed to class discussions and followed the undergraduate syllabus.

accompanying materials

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Thursday, October 19th, 2006

Studies in Technology and Writing (Eng 6480/7480)

This is a special-topics seminar for masters students in the Literature and Writing program and for PhD students in the Theory and Practice of Professional Communication program. I taught two very different iterations of this course: Fall 2006 and Summer 2006.

FALL 2006 summary
I was asked last spring to prep for this new course, which was easy considering this is my dream syllabus. My focus is on multimodal composition pedagogies. The readings and assignments of this onsite class focus on composition pedagogies from the last 20-ish years. Assignments include reviewing journals in the field, writing an academic paper, and producing a multimodal project, along with reading an average of 200 pages of theory each week. We also cover professional development in the field.

  • sections taught in department this term: 1
  • number of students enrolled: 5 masters and 3 PhD students

teaching innovations
The first innovation was an in-class assignment that we worked on throughout the semester. This assignment includes having students map out their understandings of the readings (in relation to composition pedagogies) on the wall of our classroom. We constructed a large board on which students posted index cards filled with major and minor theories, themes, important authors and articles, and other useful information, all of which helped them to visually conceive of the scope of composition studies as an academic field.

The second innovation was the inclusion of professional development discussions that enhance the students knowledge about becoming an academic, joining the field of writing studies (as many of them would, in some form), and demystifying that process. The PhD program was new at the time and so these discussions were built on informal questions about the academic job market at the beginning of class. I was happy to provide a setting for these discussions since it relates to my professional mentoring work at national conferences.

narrative evaluations

  • to come

accompanying materials

  • Fall 2006 syllabus [doc]
  • photograph of the student-produced ‘map’ of composition pedagogies

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SUMMER 2006 summary
I taught an online summer course for masters students, focused on Teaching Writing with Technology. When I offered this course, it had a different course number (basically as a special topics) but USU has reconfigured their course catalog since 2007 and now that course number no longer exists (6/7480 is the next closest). I taught this version of 6480 as a reading group where students were invited to choose a list of 5 books in the field of digital writing studies, according to their particular interests, read a book a week, write a formal book review about it, and post that review (along with responses to and discussions about each others’ selections) on an online discussion forum. This class helped me enact a happenings pedagogy through open assignments (i.e., allowing each student to choose, and negotiate with me, their book lists).

narrative evaluations

  • student evaluations were not available for summer, online classes at the time

accompanying materials

  • none available


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Tuesday, October 17th, 2006

Advanced Technical Editing (Eng 6400/7400)

This online course is a requirement in the online masters program in technical communication at Utah State University. It focuses on teaching students how to edit documents with consideration to audience and context, including readability and accessibility issues. I taught two sections of this course, with two different preps: Spring 2006 and Summer 2007.

SPRING 2006 summary
This was the first time I taught Editing, and also the first time I taught in our online-only, practitioners-based MA program. (There were no doctoral students enrolled this term.)

  • sections taught in department this term: 1
  • number of students enrolled: 13
  • numeric evaluations (none available)

teaching innovations
I introduced students to the procedures of editing scholarly, digital texts, and we used webtexts from the journal I edit, Kairos, as the major project. In groups of four, students collaboratively edited one webtext (including written content and website design) from developmental stages to the text’s final copy-editing and proofreading. In addition, they wrote introductions for their webtext, the themes of which were focused on the history and future of the journal. None of these students lived in the same area and so all group work had to be completed using online communication.

Another innovation was my use of an offsite FTP location where students could upload and view their in-progress websites. (USU doesn’t offer this ability to students, and so I used other resources at my disposal to accommodate learning.) Because of the theoretical and technical expertise students had to learn to complete the major assignment, I learned how to write more detailed assignment sequences. I also learned to organize my online teaching better using a content management system so that students can more easily find the information they need.

teaching challenge
The class progressed fairly well, with the exception of one problematic student group who had difficulty communicating and collaborating in the online environment. I ended up moderating their discussions, and group work progressed smoothly after that. From this experience, I learned how to react in appropriate ways to inappropriate online communication from adult learners.

narrative evaluations

  • not available

accompanying materials

SUMMER 2007 summary
This was the second time I taught this online-only class to graduate students at Utah State University. I changed the syllabus, since the summer course was only six weeks long (as opposed to the 15-week semesters), and we focused on the rhetorical and aesthetic situations of editing different media. We “progressed” through levels of editing (developmental, copy-editing, proofreading, etc.) on written texts whose layouts had yet to be completed (i.e., an unformatted article), to visual texts such as poems, to audio-only texts such as radio commercials, to multimodal texts such as websites with graphics and videos. This course proceeded much more smoothly than the previous iteration did, in part because I was more comfortable teaching online and in part because I had earned the trust of many onsite graduate students in the Literature & Writing program who enrolled in this online course because it was my last class at Utah State.

evaluations

  • These were lost in a database crash. (I can provide an email from the college systems administrator attesting to this.)

accompanying materials

  • Summer 2007 syllabus (to come)

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