Tag: online

Tuesday, October 17th, 2006

Advanced Technical Editing (Eng 6400/7400)

This online course is a requirement in the online masters program in technical communication at Utah State University. It focuses on teaching students how to edit documents with consideration to audience and context, including readability and accessibility issues. I taught two sections of this course, with two different preps: Spring 2006 and Summer 2007.

SPRING 2006 summary
This was the first time I taught Editing, and also the first time I taught in our online-only, practitioners-based MA program. (There were no doctoral students enrolled this term.)

  • sections taught in department this term: 1
  • number of students enrolled: 13
  • numeric evaluations (none available)

teaching innovations
I introduced students to the procedures of editing scholarly, digital texts, and we used webtexts from the journal I edit, Kairos, as the major project. In groups of four, students collaboratively edited one webtext (including written content and website design) from developmental stages to the text’s final copy-editing and proofreading. In addition, they wrote introductions for their webtext, the themes of which were focused on the history and future of the journal. None of these students lived in the same area and so all group work had to be completed using online communication.

Another innovation was my use of an offsite FTP location where students could upload and view their in-progress websites. (USU doesn’t offer this ability to students, and so I used other resources at my disposal to accommodate learning.) Because of the theoretical and technical expertise students had to learn to complete the major assignment, I learned how to write more detailed assignment sequences. I also learned to organize my online teaching better using a content management system so that students can more easily find the information they need.

teaching challenge
The class progressed fairly well, with the exception of one problematic student group who had difficulty communicating and collaborating in the online environment. I ended up moderating their discussions, and group work progressed smoothly after that. From this experience, I learned how to react in appropriate ways to inappropriate online communication from adult learners.

narrative evaluations

  • not available

accompanying materials

SUMMER 2007 summary
This was the second time I taught this online-only class to graduate students at Utah State University. I changed the syllabus, since the summer course was only six weeks long (as opposed to the 15-week semesters), and we focused on the rhetorical and aesthetic situations of editing different media. We “progressed” through levels of editing (developmental, copy-editing, proofreading, etc.) on written texts whose layouts had yet to be completed (i.e., an unformatted article), to visual texts such as poems, to audio-only texts such as radio commercials, to multimodal texts such as websites with graphics and videos. This course proceeded much more smoothly than the previous iteration did, in part because I was more comfortable teaching online and in part because I had earned the trust of many onsite graduate students in the Literature & Writing program who enrolled in this online course because it was my last class at Utah State.

evaluations

  • These were lost in a database crash. (I can provide an email from the college systems administrator attesting to this.)

accompanying materials

  • Summer 2007 syllabus (to come)

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Sunday, October 15th, 2006

Studies in Writing & Rhetoric (Eng 6890)

This course, targeted at masters students in the Literature and Writing program, is a graduate-level special topics class.

Fall 2005 semester summary
I was asked to teach this online class—my first online teaching experience—so that distance students in the now-defunct online Literature & Writing program could finish their coursework. I focused on literary hypertext and aesthetic new media texts. Students read theory about and produced several genres of digital literary texts. The course was taught completely at a distance through Syllabase (USU’s own CMS), primarily using discussion forums.

Although it was a new prep in a new medium of delivery for me, overall I believe the course went well despite a rocky start regarding my trying to understand differing time management and assignment issues in an online learning space. The students enrolled in this class included those in the Literature and Writing, Online Technical Communication, American Studies, and Theory and Practice of Professional Communication graduate degrees. Each strand of our graduate program is represented because the class fulfills requirements in each while crossing interdisciplinary boundaries, depending on the topic. This class’s focus on literary hypertext and new media texts crosses academic boundaries, bringing together the tech comm and literature students, for instance, into some insightful discussions from different viewpoints.

  • sections taught in department this term: 1
  • number of students enrolled: 13

teaching innovations
This was the first online class I taught. It is also the first graduate class for which I have been the instructor of record, and it was a new prep for me. Although it got off to a rocky start because of my inexperience teaching solely online, it matured into a class and a medium I enjoy.

The main innovation I feel I have introduced to this special topics class is that of having students produce complicated new media texts at a distance. Learning to troubleshoot technological (as well as pedagogical) issues from a distance has helped me to rethink how I teach the same information in face-to-face classes like Professional Writing Technologies (3410) and to not take that knowledge for granted. Several final projects from this course have been featured in conference presentations and articles I have published.

narrative and numeric evaluations
Because Fall 2005 was the first semester that online evaluation forms were made available to distance students, only one student participated in filling a form out. Continuing Education, the department which oversees online course evaluations, mislabeled which class this evaluation was from (attaching it to an onsite, undergraduate course from the same semester). Thus, I do not have reliable evaluation data to show from this course.

accompanying materials

see also

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Tuesday, October 10th, 2006

“The Intersections of Online Writing Spaces, Rhetorical Theory, and the Composition Classroom”

citation
Cassorla, Leah; Ball, Cheryl E. [Graphic]; & Hewett, Beth L. (2005). The intersections of online writing spaces, rhetorical theory, and the composition classroom. Kairos: Rhetoric, Technology, Pedagogy, 10(1). http://english.ttu.edu/kairos/10.1/binder2.html?coverweb/bridge.htm

description

Issue art designed by Cheryl E. Ball

Issue art designed by Cheryl E. Ball

This CoverWeb (themed section) column introduces four webtexts about online communication. The texts include topics such as teaching digital writing, using templates and wikis in the classroom, and researching place-based blogs.

accompanying materials

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Monday, October 2nd, 2006

“sound+composition+space”

citation
Ball, Cheryl E., & Hawk, Byron. (2006). sound+composition+space [Video]. C&C Online. [Special issue: Sound]. http://ceball.com/other/cconline/sound/intro1.mov

abstractsound
This mash-up of video and audio pieces serves as an introduction to the special issue on sound. Like a traditional “letter from the guest editors,” in which editors contextualize and provide abtracts of the articles in a special issue, this mash-up provides “abstracts” of video and audio that are included in the authors’ texts, thereby contextualizing them by juxtaposing the multiple modes of communication in one text. By splicing samples together (a la the hip hop tradition) from the 14 authors’ pieces, this introduction enacts the performative, aesthetic qualities that the authors articulate are necessary to composition studies in the 21st century. From visual and aural noise at the beginning of the intro, the editors move into an argument for including sound as part of digital writing’s compositional space — that sampling, voiceovers, cut-ups, and other oral/aural considerations can take us into what happens next in writing studies. (Note: Video hosted on my website due to space limitations on C&C Online server.)

accompanying materials

see also

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Saturday, September 16th, 2006

“Reading the Text: A Rhetoric of Wow”

citation
Ball, Cheryl E., & Rice, Rich. (2006). Reading the text: Remediating the text. Kairos: Rhetoric, Technology, Pedagogy, 10(2). http://kairos.technorhetoric.net/10.2/binder2.html?coverweb/riceball

abstractriceball
This webtext, presented as a DVD interface, discusses the situational contexts of teachers’ assessment practices in student-produced new media texts. Ball discusses a “rhetoric of wow” in approaching the reading of student texts from technorhetorical and poetic lenses while Rice discusses using that rhetorical knowledge to avoid “schmoozery” (i.e., being bamboozled by students’ flashy, but arhetorical, technological prowess). The central discussion of this text focuses on a student-produced video for one of Ball’s classes, with the authors’ arguments about this text (and its rhetorical and pedagogical situating in the field) presented as DVD “extras” in the interface.

accompanying materials

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Friday, September 1st, 2006

“Kairos: The Next Ten Years”

citation
Ball, Cheryl E., Hewett, Beth L. Eyman, Douglas, & Inman, James. (2006). Kairos: The next ten years. Kairos: Rhetoric, Technology, Pedagogy, 11(1). http://english.ttu.edu/kairos/11.1/loggingon

description

Issue art designed by Tracy Bridgeford

Issue art designed by Tracy Bridgeford

The Logging On column in Kairos is equivalent to the editor’s letter in print journals. (This was my first time writing this column after being promoted to Editor.) The column outlines the vision changes that I and my co-editor initiated with the journal (as well as some that the Senior Editors initiated in their new position). Some of those changes include adding new sections that highlight and explain how to read experimental, multimodal scholarship; updating our unique peer-review process (which involves collaboration among 50+ nationally recognized scholars), and more. We also outline the historically focused webtexts published in the anniversary issue.

accompanying materials

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