Tag: published
Tuesday, October 20th, 2009
citation
Ball, Cheryl E. (2002). Review of NMEDIAC: The Journal of New Media & Culture. In Kairos: Rhetoric, Technology, Pedagogy, 7(3).
http://kairos.technorhetoric.net/7.3/binder.html?reviews/ball/index.html
abstract
NMEDIAC: The Journal of New Media and Culture is an online, peer-reviewed journal housed on the ibiblio server. The site is “a collaboration between the University of North Carolina – Chapel Hill’s MetaLab, formerly known as SunSITE, and the Center for the Public Domain” (”about ibiblio“). The premise of NMEDIAC (pronounced inmediacy) is to publish “papers and audiovisual pieces which contextualize encoding/decoding environments and the discourses, ideologies, and human experiences/uses of new media apparatuses.” It is the journal’s intention to approach writing about new media through a “Cultural Studies and ‘critical Internet Studies’” lenses. When the inaugural issue hit the Web, I hoped the journal would fill a gap in scholarly new media studies. It does prove to do so — if in fits and starts — based on the first two issues.
accompanying materials
Tags: editorially-reviewed, online, open-access, pre-tenure track, published, webtext
Posted in Publications, Reviews | No Comments »
Tuesday, October 20th, 2009
citation
Ball, Cheryl E. (2003). Review of Inside the communication revolution: Evolving patterns of social & technical interaction, Robin Mansell (Ed.). Journal of Business & Technical Communication, 18, 248–251.
accompanying materials
- not available; closed-access publication
Tags: closed-access, editorially-reviewed, pre-tenure track, print, published
Posted in Publications, Reviews | No Comments »
Tuesday, October 20th, 2009
citation
Ilyasova, Ksenia, & Ball, Cheryl E. (2004). Review of Writing spaces, 2nd ed., by Jay David Bolter. Technical Communication Quarterly, 13, 135–138.
abstract
self-explanatory
accompanying materials
- Not available; Closed-access publication.
Tags: closed-access, collaborative, editorially-reviewed, print, published
Posted in Publications, Reviews | No Comments »
Tuesday, October 20th, 2009
citation
Ball, Cheryl E. (2005). Trans-cultural multimedia production in an English classroom. Proceedings for Advancing the Effectiveness and Sustainability of Open Education Conference. Utah State University, Logan, UT.
abstract
In English studies, the past decade has seen a dramatic shift toward analysis and production of multimedia texts (c.f. Cope & Kalantzis, 2000; Wysocki, Selfe, Johnson-Eilola, & Sirc, 2004). This shift is informed by the study of rhetoric, which we defi ne as reading and composing texts with an understanding of a specifi c audience, purpose, and context. In Dr. Ball’s Perspectives on Writing and Rhetoric class, students analyze creative multimodal texts using multiple reading strategies, and then compose their own texts. Although this generation of students is typically well-informed about technology, most of them have never encountered a digital, multimodal text whose purpose is primarily aesthetic. Studying the rhetorical situation in what literary theorists such as Eco and Rosenblatt would call an “open,” readerdriven, adaptable text provides a rich learning experience for students.In this class, students read several examples of open texts including “Murmuring Insects” (Ankerson, 2001), which successfully uses Eastern and Western multimodal elements—including written, aural, visual, animated, and other modes of communication—to juxtapose calm with fear while honoring the events of September 11, 2001. In this presentation, we show this piece in contrast to student-produced multimodal texts that attempt to adopt cultural contexts of other writers, often unsuccessfully. We conclude by suggesting why some students’ attempts at adaptation in these creative and social media are hindered by localized contexts. In addition, we demonstrate how students who don’t attempt to adapt their creative work to other’s contexts often make stronger rhetorical choices in their multimodal texts while still meeting the needs of various audiences.
see also
Tags: closed-access, peer-reviewed, print, published
Posted in Proceedings, Publications | No Comments »
Tuesday, October 20th, 2009
citation
Council of Editors of Learned Journals. [Co-author on subcommittee for electronic journal guidelines]. (2008, May). Best Practices for Online Journal Editors. http://www.celj.org/downloads/CELJEjournalEditorsGuidelines.pdf
abstract
The Council of Editors of Learned Journals promotes electronic publishing as a legitimate method of disseminating creative and scholarly work in the humanities. The following compilation—representing the best current advice and practices of CELJ members—is intended to support editors of new and existing online journals in their efforts to produce publications whose value to the academy and to broader intellectual and artistic communities will be recognized. Online publication, for the purposes of these guidelines, includes serial journals and magazines that are specifically designed for digital access and that circulate on the World Wide Web, in library indexes, or in some other digital medium. Fundamentally, editors of online journals should uphold the highest standards of craft and/or scholarly thoroughness, accountability and fairness, as do editors of traditional print journals. However, there are additional dimensions to electronic publishing. The advice that follows takes into account concerns shared by all scholarly journals, regardless of medium, as well as concerns specific to online publication.
accompanying materials
Tags: collaborative, non-refereed, online, open-access, print, published, white paper
Posted in Publications, Technical Reports | 1 Comment »
Saturday, June 7th, 2008
citation
DeWitt, Scott Lloyd, & Ball, Cheryl E. (2008, May). Manifestos! [Special issue]. Kairos: A Journal of Rhetoric, Technology, and Pedagogy, 12(3). http://kairos.technorhetoric.net/12.3/
abstract
Wrought with connotation, politically and emotionally charged, manifestos call us to action and demand change—in the streets, in the workplace, in our classrooms, in our minds, and in the virtual spaces we inhabit. Put the manifesto in a mediated space that typically features scholarly work, and it provokes different change-actions. The form of a manifesto seeks sizeable response and has the ability to move an argument quickly to the forefront of a conversation (and keep it there). The manifesto’s typical dense state and its sometimes confrontational approach make it easily susceptible to critique yet can quickly facilitate invention for new scholarly conversations and directions. If our scholarship seems too cutting-edge, too in-your-face, despite its having been deeply considered, then it is reserved for discussing around conference-hotel bars, on listservs and blogs, or over dinner and wine in the backyard patio. We don’t often make the leap to publishing it in scholarly journals. Why? Because these ideas often don’t take the shape of traditional scholarship—even with respect to the different traditions of scholarship in a journal like Kairos. The Manifesto Issue is our answer to these questions.
accompanying materials
Tags: collaborative, online, open-access, peer-reviewed, published, webtext
Posted in Edited Journals, Publications | 1 Comment »
Thursday, December 7th, 2006
citation
Anderson, Daniel; Anthony Atkins, Cheryl Ball, Krista Homicz Millar, Cynthia Selfe, Dickie Selfe [Writers], & Matt Bemer [Designer]. (2006). Data from a CCCC research grant survey on teaching multimodal composition. Composition Studies 34(2). http://www.compositionstudies.tcu.edu/archives/342/cccc-data/
abstract
This website accompanies an article appearing in the print version of Composition Studies entitled “Integrating Multimodality in Composition Curricula: Survey Methodology and Results from a CCCC Research Initiative Grant.” In that article the authors provided methodologies and outcomes of a national survey conducted in 2005 to discover how instructors use multimodal composition practices in their writing classrooms and research. Supported by a research initiative of the Conference on College Composition and Communication, the survey was designed to identify instruction in which students and faculty members produce (not just analyze) multimodal texts. The aim of that article is to present a snapshot of instructors working to integrate these new semiotic forms into writing classes. The data in this report includes the questions from and responses to the 141-question survey.
accompanying materials
Tags: collaborative, data, grant outcome, online, open-access, published, undergraduate, webtext
Posted in Publications, Technical Reports | 3 Comments »
Monday, October 23rd, 2006
citation
Ball, Cheryl E., & Hewett, Beth L. (2004). The rhetoric and pedagogy of portable technologies [column + graphic]. Kairos: Rhetoric, Technology, Pedagogy, 9(1). http://english.ttu.edu/kairos/9.1
description

Issue art designed by Cheryl E. Ball
This editorial column introduced four webtexts on wireless technologies, focusing on the rhetoric and pedagogy of wireless labs and writing classrooms, but also on whether these technologies actually help or hinder our teaching.
accompanying materials
Tags: collaborative, editorial column, graphic, multimedia, online, open-access, published
Posted in Non-Refereed Articles, Publications, Research Designs | No Comments »
Sunday, October 22nd, 2006
citation
Ball, Cheryl E., & Hewett, Beth L. (2006). Computers & Writing 2005: New writing and computer technologies. Kairos: Rhetoric, Technology, Pedagogy, 10(2). http://english.ttu.edu/kairos/10.2/binder2.html?coverweb/bridge.htm
description

Issue art designed by Leah Cassorla
This editorial column focuses on webtexts that originated as presentations at the 2005 Computers and Writing conference. This CoverWeb (themed) section contained six webtexts on a range of topics related to technology and writing studies.
accompanying materials
Tags: collaborative, editorial column, multimedia, online, open-access, published
Posted in Non-Refereed Articles, Publications | No Comments »
Saturday, October 21st, 2006
citation
Ball, Cheryl E., & Hawk, Byron. (2006). Letter from the guest editors. Computers and Composition, 23(3), 263–265.
abstract
Because of the rise in multiliteracies scholarship since 1999, and with it a dramatic increase in the kinds of texts students read and compose in writing classrooms, this special issue hopes to introduce readers to a next step in multiliteracies composition. That is, we’ve moved—as a field—from linguistic to visual meaning-making, all in digital environments; so, a logical progression is to include other modes of meaning including audio. In doing so, we hope to provide readers with an overview of how a multiliteracies approach that incorporates attention to audio is possible within composition studies. The seven articles in this issue explore forms of audio from several theoretical, historical, and musical perspectives, adding a breadth and richness to current scholarship that uses sound in compositional practices. The authors discuss a range of sonic genres including opera, hip-hop, rock-n-roll, as well as voiceovers and soundtracks. The timeline of these genres covers centuries, from Wagner to digital multimodality (if not virtual reality, although that’s mentioned along the way). The authors connect their discussion of audio—from sampling, sound effects, professional and amateur recordings, and hypermediation—to composition and knowledge-making methods as diverse as using citation systems and teaching sonic literacies.
accompanying materials
Tags: closed-access, collaborative, editorial column, print, published
Posted in Non-Refereed Articles, Publications | No Comments »
Friday, October 20th, 2006
citation
Ball, Cheryl E., & Hawk, Byron. (Eds.). (2006, September). C&C Online [Special issue: Sound in/as compositional space]. http://www.bgsu.edu/cconline/sound
abstract
This special issue addresses the rhetoric of aural and oral modes of communication. The webtexts (interactive online articles) in this collection vary from audio performances exemplifying multimodal mash-up techniques to the rhetorical implications of sound in student-created music videos.
accompanying materials
- table of contents (to read individual webtexts, click on the graphic icons for each)
- introduction [Quicktime movie; 37 mb -- I recommend downloading it to your desktop before viewing. It'll take several minutes to load.]
Tags: collaborative, multimedia, online, open-access, peer-reviewed, published
Posted in Edited Journals, Publications | 2 Comments »
Saturday, October 14th, 2006
citation
Ball, Cheryl E., & Hawk, Byron. (Eds.). (2006, September). Computers & Composition [Special issue: Sound in/as compositional space: A next step in multiliteracies]. 23(3), 263-398.
abstract
This special issue addresses the rhetoric of aural and oral modes of communication in writing studies. The articles in this collection vary from exploring the implications of hip-hop sampling on academic citation systems to using pop songs as thesis statements in professional and student-produced movies.
accompanying materials
Tags: closed-access, collaborative, peer-reviewed, print, published
Posted in Edited Journals, Publications | No Comments »
Tuesday, October 10th, 2006
citation
Cassorla, Leah; Ball, Cheryl E. [Graphic]; & Hewett, Beth L. (2005). The intersections of online writing spaces, rhetorical theory, and the composition classroom. Kairos: Rhetoric, Technology, Pedagogy, 10(1). http://english.ttu.edu/kairos/10.1/binder2.html?coverweb/bridge.htm
description

Issue art designed by Cheryl E. Ball
This CoverWeb (themed section) column introduces four webtexts about online communication. The texts include topics such as teaching digital writing, using templates and wikis in the classroom, and researching place-based blogs.
accompanying materials
Tags: collaborative, editorial column, graphic, multimedia, online, open-access, published
Posted in Non-Refereed Articles, Publications, Research Designs | No Comments »