Tag: published

Friday, October 20th, 2006

Special Issue: Sound in/as Compositional Space

citation
Ball, Cheryl E., & Hawk, Byron. (Eds.). (2006, September). C&C Online [Special issue: Sound in/as compositional space]. http://www.bgsu.edu/cconline/sound

abstract
This special issue addresses the rhetoric of aural and oral modes of communication. The webtexts (interactive online articles) in this collection vary from audio performances exemplifying multimodal mash-up techniques to the rhetorical implications of sound in student-created music videos.

sound-introaccompanying materials

  • table of contents (to read individual webtexts, click on the graphic icons for each)
  • introduction [Quicktime movie; 37 mb -- I recommend downloading it to your desktop before viewing. It'll take several minutes to load.]

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Saturday, October 14th, 2006

Special Issue: Sound in/as Compositional Space

citation
Ball, Cheryl E., & Hawk, Byron. (Eds.). (2006, September). Computers & Composition [Special issue: Sound in/as compositional space: A next step in multiliteracies]. 23(3), 263-398.

abstract
This special issue addresses the rhetoric of aural and oral modes of communication in writing studies. The articles in this collection vary from exploring the implications of hip-hop sampling on academic citation systems to using pop songs as thesis statements in professional and student-produced movies.

accompanying materials

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Tuesday, October 10th, 2006

“The Intersections of Online Writing Spaces, Rhetorical Theory, and the Composition Classroom”

citation
Cassorla, Leah; Ball, Cheryl E. [Graphic]; & Hewett, Beth L. (2005). The intersections of online writing spaces, rhetorical theory, and the composition classroom. Kairos: Rhetoric, Technology, Pedagogy, 10(1). http://english.ttu.edu/kairos/10.1/binder2.html?coverweb/bridge.htm

description

Issue art designed by Cheryl E. Ball

Issue art designed by Cheryl E. Ball

This CoverWeb (themed section) column introduces four webtexts about online communication. The texts include topics such as teaching digital writing, using templates and wikis in the classroom, and researching place-based blogs.

accompanying materials

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Monday, October 2nd, 2006

“sound+composition+space”

citation
Ball, Cheryl E., & Hawk, Byron. (2006). sound+composition+space [Video]. C&C Online. [Special issue: Sound]. http://ceball.com/other/cconline/sound/intro1.mov

abstractsound
This mash-up of video and audio pieces serves as an introduction to the special issue on sound. Like a traditional “letter from the guest editors,” in which editors contextualize and provide abtracts of the articles in a special issue, this mash-up provides “abstracts” of video and audio that are included in the authors’ texts, thereby contextualizing them by juxtaposing the multiple modes of communication in one text. By splicing samples together (a la the hip hop tradition) from the 14 authors’ pieces, this introduction enacts the performative, aesthetic qualities that the authors articulate are necessary to composition studies in the 21st century. From visual and aural noise at the beginning of the intro, the editors move into an argument for including sound as part of digital writing’s compositional space — that sampling, voiceovers, cut-ups, and other oral/aural considerations can take us into what happens next in writing studies. (Note: Video hosted on my website due to space limitations on C&C Online server.)

accompanying materials

see also

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Sunday, September 10th, 2006

“ix tech comm”

citation
Ball, Cheryl E. & Arola, Kristin L. (2005). ix tech comm: visual exercises for technical communication [CD-ROM]. Boston: Bedford–St. Martin’s.

abstract [from CD cover]ix-techcomm
ix tech comm offers a new way to visualize technical communication—because there are things you just can’t do in a book. Each of the 9 exercises moves through the following three steps: (1) Illustrated definitions help students visualize key concepts: text, purpose, element, context, audeince, color, contrast, emphasis, framing, alignment, proximity, organization, and sequence. (2) Guided analyses of real world texts—such as an X-men plane schematic, a bicycling safety PowerPoint presentation, and an illustrated recipe—model for students how to put theory into practice. (3) Interactive assignments invite students to make their own rhetorical choices—changing colors, determining alignment and typeface, and rearranging the elements of a web site’s navigation—and to write about the impact those choices have.

accompanying materials

  • link to CD-ROM’s accompanying website
  • email from teacher who uses ix: tech comm

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Thursday, September 7th, 2006

“ix visual exercises”

citation
Ball, Cheryl E. & Arola, Kristin L. (2004). ix: visual exercises [CD-ROM]. Boston: Bedford–St. Martin’s.

abstract
This CD-ROM introduces visual rhetoric theories to students and teachers using rhetorical terms with which they are already familiar. It includes visual readings and assignments that students in cultural-studies-focused writing classes are likely to encounter (e.g., advertisements, photographs, comics, illustrations, interactive web movies, etc.). The CD contains nine sections (i.e., “ix”); each section has approximately 20 unique screens of content. Total screen count is approximately 200.ix

status

  • Update 01/09: Over 95,200 copies of ix have been distributed.

accompanying materials

  • link to CD-ROM website
  • review of CD from “next/text: what happens when textbooks go digital”, a subdivision of the Institute for the Future of the Book (linked to Internet Archive version; site has moved since 2005)
  • review of CD in Computers and Composition
  • email from teacher using ix

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Monday, September 4th, 2006

“Picturing Texts Instructor’s Guide”

citation
Ball, Cheryl E. (2004). Picturing Texts instructor’s guide. New York: W.W. Norton (pp. 1-114).

pictextsinstrguide2abstract
The Instructor’s Guide, which accompanies the Picturing Texts (Selfe, George, Palchek, & Faigley, 2004) composition textbook, suggests starting points for working with the discussion questions, advice to give students about the writing prompts, syllabi for several ways of using the book, and other ideas for working with Picturing Texts.

accompanying materials

  • a review in C&C Online
  • a review in Kairos
  • This is a closed-access, print publication. For a copy, please contact a Norton sales rep.

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Friday, September 1st, 2006

“Kairos: The Next Ten Years”

citation
Ball, Cheryl E., Hewett, Beth L. Eyman, Douglas, & Inman, James. (2006). Kairos: The next ten years. Kairos: Rhetoric, Technology, Pedagogy, 11(1). http://english.ttu.edu/kairos/11.1/loggingon

description

Issue art designed by Tracy Bridgeford

Issue art designed by Tracy Bridgeford

The Logging On column in Kairos is equivalent to the editor’s letter in print journals. (This was my first time writing this column after being promoted to Editor.) The column outlines the vision changes that I and my co-editor initiated with the journal (as well as some that the Senior Editors initiated in their new position). Some of those changes include adding new sections that highlight and explain how to read experimental, multimodal scholarship; updating our unique peer-review process (which involves collaboration among 50+ nationally recognized scholars), and more. We also outline the historically focused webtexts published in the anniversary issue.

accompanying materials

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