Tag: service-learning

Monday, November 2nd, 2009

“Talking Back to Teachers: Undergraduate Research in Multimodal Composition”

citation
Ball, Cheryl E., et al. (in progress). Talking back to teachers: Undergraduate research in multimodal composition. In Debra Journet, Cheryl E. Ball, and Ryan Trauman (Eds.) The new work of composing. Computers and Composition Digital Press/Utah State University Press.

abstract
This chapter is composed of 14 voices—12 undergraduates, 1 graduate student, and 1 faculty member (Cheryl E. Ball, contact author) from a multimodal composition class at Illinois State University. In a three-part chapter, we speak to the perceptions of undergraduate students’ technology use presented by scholarship, attendees at the Watson conference, and on our campus. The first section, presented as a video, reflects on conference attendees’ discussions of students who weren’t representative of the majority audience (professors and graduate students) at the conference. The second section, also presented as a video, asks how pedagogy needs to change to accommodate an increase in digital technology and what kind of cooperation is necessary between students and their teachers so both parties can effectively communicate to and learn from each other. The third section, presented as a MySpace page, argues that educators should incorporate social networks into their pedagogies because they offer a different way of composing. The sections will be presented together on the class blog, http://www.ceball.com/classes/239, where the index page will become a static Introduction to the chapter and each section will be presented as a page off the index. The benefit of hosting the site (for now) on the 239 class blog is so that readers can explore behind the scenes of our learning experience as we produced digital scholarship this semester.

status

  • 12/08: proposal accepted for the collection
  • 07/09: student projects revised
  • 10/09: collection accepted by press
  • 11/09: final chapter draft being readied for editors

accompanying materials

see also

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Friday, October 30th, 2009

English 239: Multimodal Composition

Multimodal Composition is an upper-division writing elective for all majors at Illinois State University. As of Fall 2009, I have taught this course four times.

semesters & syllabi

  • Fall 2007 (as English 289.22: Multimedia Writing Workshop): 18 students
  • Fall 2008 (hereafter as English 239: Multimodal Composition): 12 students
  • Spring 2009: 9 students (7 undergraduates & 2 graduate students, as independent studies)
  • Fall 2009: 14 students (11 undergraduates & 3 graduate students, as independent studies)

description
Started as English 289.33: Multimedia Writing Workshop. I wrote the course proposal to turn it into a permanent class. During Fall 2007, I taught the course similarly to how I taught English 3040: Perspectives in Writing & Rhetoric the previous year as a faculty member at Utah State University; its topic was an open-assignment video course where students progressed from smaller, monomodal exercises to 5-minute multimodal videos of various genres. I didn’t like the organization for the course (as described in my teaching development plan under Teaching), so I changed the syllabus the next fall. For Fall 08, Spring 09, and Fall 09, the course focused on having students compose digital media scholarship for a peer-reviewed publication in English Studies. The publication venue changed for different semesters, as students responded to real calls for papers in the field of digital writing studies.

teaching innovations

  • Fall 2007, I implemented a teaching innovation of showcasing the student’s work at the local, historic cinema. I was nominated for the department’s innovative teaching award for this effort, although it turned out I was ineligible because I had not been at ISU long enough to meet the award criteria of two years.
  • Fall 2008 came a different innovation as I changed the syllabus — having students compose texts for peer-reviewed publications provided them with the elusive “authentic audience” while giving them a specific rhetorical situation in which to work. Also innovative this semester was taking as many of these students who could go to a national conference about multimodal composition. From this event, which they filmed, they built several digital media projects and proposed their inclusion into the digital conference proceedings. Their proposals were accepted, and as of Fall 2009, I am working with one student from that class to revise the student projects for publication.

accompanying materials

see also

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Friday, October 30th, 2009

“Digital Scholarship Research and Revision Project”

citation
Advisor. (2009, Summer). Digital scholarship research and revision project (Matthew Wendling, undergraduate; Jonathan Myers, Masters). Illinois State University.

description
Wendling and Myers worked under my guidance to revise the digital media chapter that undergraduates in my Fall 2008 Multimodal Composition class authored for inclusion in the digital book I am co-editing, The New Work of Composing. Wendling’s work was supported through a Research and Sponsored Programs fellowship for undergraduate research.

accompanying materials

  • not available

see also

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Friday, October 30th, 2009

“Kairos Editing Internship”

citation
Advisor. Kairos editing internship, Illinois State University.

description
PhD students at Illinois State (and a Masters student at Utah State) have the occasional opportunity to be a research assistant for the journal I edit, Kairos: Rhetoric, Technology, Pedagogy. Depending on the journal’s needs at the time, students’ technical and theoretical skills, as well as how long they will be assigned to the journal based on departmental teaching needs, students are guided to perform different projects from copy- and design-editing to non-production projects such as designing promotional materials. Depending on the project, I create training documents or verbally guide students through the process.

students/projects

  • Kyle Jensen (Spring 2009), created promotional website for editorial projects, including Kairos, in department
  • Devon Fitzgerald (Spring 2008), worked on copy- and design-editing in production cycle
  • Susan Baxter (2004-06: volunteer), compiled a database-ready bibliography of citation contents for Kairos’s first ten years of publication

accompanying materials

  • none available

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Tuesday, October 27th, 2009

“Synopsis”

citation
Designer/Editor. (2005–06). Synopsis. Utah State University. [2006 Winner of STC Newsletter competition].

abstract
Synopsis is the print newsletter for Utah State University’s student chapter of  the Society for Technical Communication. I edited and directed the newsletter design as interim faculty advisor for the group.

accompanying materials

  • not available/closed-access

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Saturday, October 28th, 2006

Professional Writing Capstone (Eng 5430)

This course, targeted at graduating seniors in the Professional Writing major at Utah State University, uses a common syllabus designed to have students gain an understanding of the technical writing job market as well as to produce materials they can use in job interviews (such as a résumé, cover letter, and print and web portfolios).

SPRING 2006 summary
This was the first time I taught Capstone, and I adapted a weekly schedule based on the common syllabus that USU professional writing faculty members Kelli Cargile Cook, Charlotte Thralls, and Mark Zachry produced in the early 2000s.

  • sections taught in department this term: 1
  • number of students enrolled: 13

teaching innovations
I made one major change to the standard syllabus for this class, and that was to assign the capstone students to work two hours in the departmental computer lab. I instituted this pilot program to see whether those in their final year of school—who knew the lab and its software best—would make ideal lab consultants. However, the students misinterpreted my reasons for wanting them to work in the lab and assumed that it was so that the lab didn’t need to have to pay consultants. (I was Acting Lab Director at the time, so this class assignment was received as my trying to get the students to work for free.) Thus, the majority of the students complained that the experience was a waste of their time. Sadly, they didn’t take advantage of the many professional development opportunities I knew this work would provide for them, and my suggestions on how they might make the situation more useful for themselves remained unused. I’m still considering what I might learn from this situation that will be of use the next time I think about implementing professional development and service learning into my course goals.

teaching challenge
In addition to the above challenges to my innovation, this course proved to be difficult for me not because of subject matter (professionalization, which is right up my research alley) but because I intervened in an incident involving one of the students overstepping her boundaries in the departmental lab prior to the semester starting. A lab consultant had to call the campus police, and as Acting Lab Director, I revoked her privileges. However, she had to take my course, so we agreed on terms of proceeding before the semester. In the end, her behavior did not improve and class was disrupted, evidenced by a downward trend in my teaching evaluations for that class. Should this unique situation happen again, I believe the solution would be to work with advisers and find alternate class arrangements for the student.

narrative evaluations

  • The interview process was fun and very helpful. Cheryl gave some good stories and examples from her life that helped us see what the real world is like.
  • I have two great portfolios now! I’m ready to get a job, or at least apply for one, and I wasn’t before this class.
  • Cheryl was interested in what the students want to do with their future. She has good networking and interviewing examples to share.
  • Dr. Ball is a talented designer and she has enthusiasm for design and online teaching. She has contemporary insights into the job market and the skills required to get hired and be a competitive tech writer. Dr. Ball is great at what she does.
  • I liked the immediacy of our concerns, the reality and importance of everything we’ve been learning at university. Cheryl’s attitude of professionalism without too much idealism/stuffiness was nice.
  • She has a weird idea of what a good design is and those that didn’t use pink flamingos had a poor design even if it refleted us. We should be able to choose what works for us, otherwise she needs to design portfolios for each student so that we do exactly what she wants.
  • Good things: Cheryl was happy. She has energy. She fed us poundcake. Once. We got the recipe. We built portfolios. This is good.

accompanying materials

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Saturday, October 28th, 2006

Publication Production (Eng 5420)

The purpose of this course at Utah State University was to introduce professional/technical writing majors to pre-press and printing processes for large-scale print documents. We covered printing terminology, color types, production management techniques, image manipulation for print documents, and pre-press guidelines. Editing and working with clients as well as establishing baseline differences between print and web publications was also part of the course goals.

SPRING 2005 summary
The majority of this class was spent designing the campus literary magazine, Scribendi, a project that provided many collaborative opportunities for students, which I describe in detail below.

  • sections taught in department this term: 1
  • number of students enrolled: 19

teaching innovations
This class was a new prep for me at Utah State. I implemented an idea I used for a similar class at a previous school—having students re/design the campus literary magazine. The purpose of this assignment is to give students a real-world example of preparing a large-scale document for a printing press (including real-world deadlines, budgets, and clients). The past editors of Scribendi, the literary magazine at USU, were thrilled to have students work on updating the design. (Past editors were volunteer English department staff and faculty members assigned to oversee the creative writing contest, winners of which were published in the magazine.)

In class, the students worked in small groups to complete the redesign:

  • four groups worked on the main content and design (after a collaborative effort on making a template). Each group consisted of a book designer, a graphic designer, and an editor, and the three members worked collectively on one signature (16-page spread) of the magazine;
  • a fifth group was responsible for the design template that every group used, the cover, table of contents, and other front- and backmatter;
  • a sixth group was the marketing and budget team. They were responsible for raising money (which they elected to do rather than stick with the current budget, even though I informed them that it was not a part of the class) and for writing promotional materials.

The students worked with several clients including the new creative writing contest director, Anne Shifrer, to collect the winning entries; choose how many would fit in the pages we had the budget for; edit the entries and insert them into the template in an appropriate sequence based on thematic issues; collected graphics from artists on campus and matched the graphics to specific texts; and prepared the entire publication for printing. In addition, they raised a significant amount of money (nearly $1,500 in a month) so that they could publish 1,000 copies on a professional press instead of photocopying 100 for departmental use, as had been done in past years.

Because students had a limited budget for printing, which meant a limited number of pages they could print, they decided (with my guidance) to excerpt several large stories and place all winners in their entirety on an accompanying website. Thus, students also had the chance to design the publication for a second medium. The website is linked at the bottom of this post.

Finally, students presented fresh-off-the-press copies of Scribendi to the campus at the annual Student Showcase for undergraduate research. They created a poster to outline their hands-on research activities and distributed nearly 700 copies that week to stakeholders and students around the campus and the community. (The rest of the copies were kept to include in the students’ portfolios and for departmental recruiting efforts.)

narrative evaluations

  • “Cheryl has an incredible knack for helping students take charge of their learning. She has such a personable nature that students feel elevated to her level. Cheryl is a great professor, and a mentor that keeps me striving to impress! 10 out of 10.”
  • “I thought that the objectives were very clear and we always knew what was expected of us. I also thought the expectations of us were high, which helped us to learn more. I am glad that I had the opportunity to take this class from Cheryl Ball. I thought she was a very good teacher.”
  • “Cheryl Rocks! She really pushes for quality and her attitude is positive. She doesn’t take b.s. from anyone and she’s extremely knowledgable about technology that we’re suposed to learn. I appreciate that…. She goes the extra mile.”
  • “I felt that the literary magazine redesign was a very good teaching process for publication production. I enjoyed learning the process of publishing an actual magazine. Cheryl, I appreciate the knowledge that you shared with us. I am glad to have a professor that has such a great knowledge of what we are doing, particularly about making a publication as a student [refering to my experiences making litmags when I was a student]. Thank you, Cheryl. You rock! And we learned a lot about responsibility.”
  • “I never knew publication production could be so exciting.”

accompanying materials

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