Tag: SoTL
Sunday, February 17th, 2008
citation
Ball, Cheryl E., & Moeller, Ryan M. (2008). Converging the ASS[umptions] between U and ME; or, How new media can bridge a scholarly/creative split in English studies. Computers and Composition Online [Special issue: Media convergence]. http://www.bgsu.edu/cconline/convergence/
abstract
Authors of new media texts regularly draw on both scholarly and creative genres to construct their arguments. In so doing, they bridge disciplinary boundaries that have split English departments in the past. These boundaries are discussed in our text using the following binaries: high :: low, literature :: composition, and popular :: academic discourse. In this article, we examine, then complicate, the binary form :: content through a popular and academic YouTube video (Wesch, 2007). We then situate new media texts within the historical split between rhetoric and literature using Berlin’s social epistemic rhetoric as a bridge. Our argument concludes by showing that new media texts can provide a convergence between binaries in English studies, particularly the one found in tenure guidelines suggesting that research is either scholarly or creative. New media is both/and.
accompanying materials
Tags: articles published, collaborative, online, open-access, peer-reviewed, SoTL, webtext
Posted in Peer-Reviewed Articles | No Comments »
Monday, December 24th, 2007
citation
Ball, Cheryl E., & Moeller, Ryan M. (2007). Reinventing the possibilities: Academic literacy and new media. Fibreculture Journal, 10. http://journal.fibreculture.org/issue10/ball_moeller/index.html
abstract
This webtext demonstrates the possibilities of using new media to teach students critical literacy skills applicable to the 21st century. It is a manifesto for what we think writing scholars should be teaching in general-education “writing” classes like first-year composition. In order to answer the question of what we should teach, we have to ask what kinds of academic literacy, if any, we value. We argue here that rhetorical theory is a productive way to theorize how meaning is made among new media texts, their designers, and their readers. We use the Ancient Greek concepts of topoi and commonplace to explain how designers and readers enter into a space of negotiated meaning-making when converging upon new media texts. That negotiated space offers a new-media space for learning critical literacies by means other than research papers. As examples, we discuss two student texts and the literacies they demonstrate.
accompanying materials
Tags: articles published, collaborative, multimedia, online, open-access, peer-reviewed, SoTL, teaching-improvement effort, webtext
Posted in Peer-Reviewed Articles | No Comments »
Thursday, December 7th, 2006
citation
Ball, Cheryl E., & Moeller, Ryan. (2006–07). The Learning Suite: A collaborative, technology-rich environment to support writing/composition in a digital age. Utah State University Innovation Fund. $86,000 [Internal].
abstract
Digital technology has dramatically changed the cultural and social landscape in the last 10 years. Nationwide, writing-studies scholars—those who instruct classes like English 1010 and 2010 [e.g., the first- and second-year composition sequence]—have been attuned to this change, paying attention to how digital technology and sustainable lab environments affect students’ writing processes. This Innovation Fund proposal seeks to create a sustainable learning community, called the Learning Suite, built on how people actually write in the workplace and at home. The goal is to enhance students’ experiences with English 1010/2010 curricula—classes that all USU students take—by increasing students’ access to 21st-century, digital writing practices and environments. The Learning Suite will help students bridge the gap between the writing they do in their classes at USU and the writing they will do in the workplace and beyond. This change, combined with increased contact with other students and instructors in the lab suite setting, will primarily serve to retain students beyond their first two years by helping them see writing as an engaging, social activity rather than a requirement.
accompanying materials
see also
Tags: accepted, co-director, internal funded, SoTL, teaching-improvement effort
Posted in Grants, Internal | 1 Comment »
Friday, November 3rd, 2006
citation
Atkins, Anthony; Anderson, Daniel; Ball, Cheryl; Homicz Millar, Krista; Selfe, Cynthia; & Selfe, Richard. (2006). Integrating multimodality in composition curricula: Survey methodology and results from a CCCC Research Initiative grant. Composition Studies, 34(2), 59-84.
abstract
This article describes methodology and outcomes of a national survey conducted in 2005 to discover how instructors use multimodal composition practices in their writing classrooms and research. The authors describe the procedures they used to collect and analyze data from writing teachers about the production, distribution, interpretation, and consumption of multimodal composition. Supported by a research initiative of the Conference on College Composition and Communication, the survey was designed to identify the instruction occurring at institutions with a nascent or established curriculum of multimodal pedagogy in which students and faculty members produce texts that combine words, images, and sound as composing resources. The aim of this project was to produce a snapshot of those programs working to define multimodal composition and to integrate these new semiotic forms into writing classes.
accompanying materials
see also
Tags: articles published, closed-access, collaborative, data, grant outcome, online, peer-reviewed, print, SoTL, teaching-improvement effort
Posted in Peer-Reviewed Articles | 2 Comments »
Sunday, October 29th, 2006
citation
Ball, Cheryl E. (2004). Picturing Texts [Website]. New York: W.W. Norton. http://www.picturingtexts.com
abstract [from site]
Redefining composition to include conscious attention to images and design, Picturing Texts is a writing textbook that teaches how to compose visual texts as well as how to read them. This Web site is a repository of useful materials for working with the book. It includes online readings, with suggested focus and respond sections [coordinating with the structure of the print book]; guidelines for writing for the Web; links to resources on the Web that will help students do the kind of work invited by Picturing Texts; and more.
This website accompanies the writing/composition textbook Picturing Texts (Selfe, Cynthia; Faigley, Lester, George, Diana; & Palchik, Anna; W.W. Norton, 2004). I wrote the content for 7 interactive chapters and 3 sections of ancillary materials for the website.
accompanying materials
see also
Tags: editorially-reviewed, online, open-access, SoTL, supplement
Posted in Publications, Textbook Projects | No Comments »
Saturday, October 28th, 2006
The purpose of this course at Utah State University was to introduce professional/technical writing majors to pre-press and printing processes for large-scale print documents. We covered printing terminology, color types, production management techniques, image manipulation for print documents, and pre-press guidelines. Editing and working with clients as well as establishing baseline differences between print and web publications was also part of the course goals.
SPRING 2005 summary
The majority of this class was spent designing the campus literary magazine, Scribendi, a project that provided many collaborative opportunities for students, which I describe in detail below.
- sections taught in department this term: 1
- number of students enrolled: 19
teaching innovations
This class was a new prep for me at Utah State. I implemented an idea I used for a similar class at a previous school—having students re/design the campus literary magazine. The purpose of this assignment is to give students a real-world example of preparing a large-scale document for a printing press (including real-world deadlines, budgets, and clients). The past editors of Scribendi, the literary magazine at USU, were thrilled to have students work on updating the design. (Past editors were volunteer English department staff and faculty members assigned to oversee the creative writing contest, winners of which were published in the magazine.)
In class, the students worked in small groups to complete the redesign:
- four groups worked on the main content and design (after a collaborative effort on making a template). Each group consisted of a book designer, a graphic designer, and an editor, and the three members worked collectively on one signature (16-page spread) of the magazine;
- a fifth group was responsible for the design template that every group used, the cover, table of contents, and other front- and backmatter;
- a sixth group was the marketing and budget team. They were responsible for raising money (which they elected to do rather than stick with the current budget, even though I informed them that it was not a part of the class) and for writing promotional materials.
The students worked with several clients including the new creative writing contest director, Anne Shifrer, to collect the winning entries; choose how many would fit in the pages we had the budget for; edit the entries and insert them into the template in an appropriate sequence based on thematic issues; collected graphics from artists on campus and matched the graphics to specific texts; and prepared the entire publication for printing. In addition, they raised a significant amount of money (nearly $1,500 in a month) so that they could publish 1,000 copies on a professional press instead of photocopying 100 for departmental use, as had been done in past years.
Because students had a limited budget for printing, which meant a limited number of pages they could print, they decided (with my guidance) to excerpt several large stories and place all winners in their entirety on an accompanying website. Thus, students also had the chance to design the publication for a second medium. The website is linked at the bottom of this post.
Finally, students presented fresh-off-the-press copies of Scribendi to the campus at the annual Student Showcase for undergraduate research. They created a poster to outline their hands-on research activities and distributed nearly 700 copies that week to stakeholders and students around the campus and the community. (The rest of the copies were kept to include in the students’ portfolios and for departmental recruiting efforts.)
narrative evaluations
- “Cheryl has an incredible knack for helping students take charge of their learning. She has such a personable nature that students feel elevated to her level. Cheryl is a great professor, and a mentor that keeps me striving to impress! 10 out of 10.”
- “I thought that the objectives were very clear and we always knew what was expected of us. I also thought the expectations of us were high, which helped us to learn more. I am glad that I had the opportunity to take this class from Cheryl Ball. I thought she was a very good teacher.”
- “Cheryl Rocks! She really pushes for quality and her attitude is positive. She doesn’t take b.s. from anyone and she’s extremely knowledgable about technology that we’re suposed to learn. I appreciate that…. She goes the extra mile.”
- “I felt that the literary magazine redesign was a very good teaching process for publication production. I enjoyed learning the process of publishing an actual magazine. Cheryl, I appreciate the knowledge that you shared with us. I am glad to have a professor that has such a great knowledge of what we are doing, particularly about making a publication as a student [refering to my experiences making litmags when I was a student]. Thank you, Cheryl. You rock! And we learned a lot about responsibility.”
- “I never knew publication production could be so exciting.”
accompanying materials
Tags: new prep, service-learning, SoTL, undergraduate, undergraduate research
Posted in Courses Taught | No Comments »
Saturday, October 28th, 2006
The 3040 class is a general-education (depth), upper-division writing class at Utah State University. (I usually refer to it as an advanced composition class.) Non-English-majors typically enroll, and the theme changes depending on the faculty member who teaches it.
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Fall 2004 summary
Fall 2004 was the first time that I taught English 3040. The focus was on multimodal composition, and the students created websites that demonstrated their rhetorical understanding of writing and design. Due to technological and scheduling constraints, however, the students were aggravated by their inability to complete what I was supposed to be teaching: video-editing, which I had been asked to teach but the lab was not capable of handing. This class was a huge teaching challenge for me, and I rewrote the syllabus several times upon discovery of each technological hindrance. I quickly learned what the lab could accommodate and worked closely with the systems administrator to update the hardware that I would need to teach this class in future semesters.
- sections taught in department this term: 1
- number of students enrolled: 25
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Spring 2005 summary
This course went much better than the Fall 2004 version. I changed the syllabus to accommodate the technological resources the department had, and the focus was on literary hypertexts. The course objectives — which included having students read about, analyze, and produce creative, digital texts — were spelled out for them from the beginning of the term. We were able to produce new media videos as a final project.
- sections taught in department this term: 2 (mine & ‘medical writing’ which is technically offered through the Biology department, although they use our course number)
- number of students enrolled: 18
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Summer 2005 summary
I taught this version of the class as a 5-day workshop (which at Utah State counted as a full, 3-credit class). I truncated the syllabus dramatically to overview all history and theory about electronic literature in the first day and had students working on video poems by the beginning of the second day. They had three days to complete all progress on the videos, which they presented to each other and to department colleagues in an open house on Friday morning.
- number of students enrolled: 18
- no other sections
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Fall 2006 summary
This is the third time I taught this course (in a full semester), although it was still a new prep because I kept changing the theme and major projects as the lab gathered more resources. The focus for Fall 2006 was on digital narratives. Students read about and produced a range of digital, narrative texts including iMixes, voiceovers, vogs, video or audio documentaries, and a final project of their choice. The assignments focus on how to rhetorically choose media that will meet the purpose and audience expectations of a given genre (or mixed-genre text).
- sections taught in department this term: 2 (mine & ‘medical writing’, offered through the Biology Department)
- number of students enrolled: 17
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teaching innovations
By the time I taught this class for the second time, I was able to procure [through the department and the Vice President of Research] digital video cameras for the students to use as well as hardware updates to accommodate digital video-editing in the English department computer lab. Thus, I was able to have students complete the final assignment of a new media video poem. (The assignment is included in the accompanying materials.)
For the Fall 2006 class on digital narratives, I used blogs for the first time in my teaching as a way for students to explore public/private issues when composing narratives and also as a way for them to communicate mid-week since the class meets once a week. A single blog was used for both this undergraduate class and my graduate class on multimodal composition, so that students could play with issues of audience in their comments. (The students themselves didn’t have blogs; an innovation I didn’t pick up for another two years.)
narrative evaluations
- “I didn’t know what to expect, but I have really learned a lot from being here. My computer literacy, which was very low, grew a lot. I like how you have style and personality but still have the respeect because you know how to do it all.”
- “The learning about rhetoric was subtle and fun!”
- “Overall it was a fun class and was unexpectedly helpful with other classes and presentations. I liked learning about the 13 terms [from the ix: visual exercises CD, which we looked at in class] and how they relate to different kinds of communication. It’s cool to apply some of those terms to other things I’m doing in school. Thanks”
- “I love Cheryl…her outlook and assignments were great.”
- “Dr. Ball did really well in presenting the design considerations from the CD, and in teaching the class how to create web pages in Dreamweaver.”
- “I am very satisfied that the university hired Cheryl Ball to teach this new style of English course. I was able to learn more applicable communication skills in this class than I did in all of my years in AP/Honors English. Great job!”
- “Your teaching style really engages the class and makes it a fun class environment. I particularly liked the level of class discussion which you allowed. This really facilitated learning the subject matter.”
- “It was the most interesting English class I’ve ever taken. You got me looking at writing and the formats of my papers in a whole new way.”
- “Cheryl was very knowledgable and enthusiastic. It is a hands-on course that she actually gave us time to put our hands on.”
- “I really liked the way the class was more of a discussion. It helped me feel a part. I also thought the assignments were both educational and fun.”
- “It was good to learn new ways of looking at all things.”
- “She has studied this a long time and is good at it. She assigns the right amount of workload for the class. I liked discussing the readings; it’s more helpful than just taking a quiz on them.”
accompanying materials
see also
Tags: new prep, SoTL, teaching challenge, undergraduate
Posted in Courses Taught | 1 Comment »
Saturday, October 28th, 2006
English 3410 is one of two gateway classes into the Professional Writing Major in the English Department at Utah State University. The focus of the class is on rhetorical design skills in relation to image manipulation software and web design editors. Students are tasked with designing a web-based portfolio of their work, on which they build until they take the Capstone class as seniors. Students are required to earn a B- or better to enter the major. I taught this class twice: Fall 2004 and Fall 2005.
FALL 2004 summary
This class was a new prep since I was a new faculty member at the time. The students encountered problems with the technology because we had limited numbers of software licenses for the first half of the term, which made demo-ing the programs (Adobe and Macromedia Suites) in class and having students complete homework outside of class very difficult. Mid-term we got more licenses, which significantly helped the students’ learning and engagement in the class. Besides software, the students encountered many hardware problems because I was (unknowingly, at the time) asking them to design and save documents that the hardware couldn’t handle. As a class we discovered these problems and came up with some work-arounds, but the students were generally aggravated at the lack of technological resources.
- sections taught in department this term: 1
- number of students enrolled: 21*
*(I accidentally over-enrolled the class, which caused computer-access issues that we accommodated by having the extra student use the instructor’s computer workstation.)
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FALL 2005 summary
Fall 2005 was the second time I taught this course, and much of the technological problems encountered the first time I taught it were ameliorated. In addition to the web-portfolio project, I instituted several new assignments for this class, which I discuss below.
- sections taught in department this term: 1
- number of students enrolled: 17
teaching innovations
I changed the way I teach this class in the Fall of 2005 to include more instruction (albeit self-guided) in software programs since students had requested such instruction in this class the last time I taught it. (Students request direct instruction in software in most all of their professional writing classes because they believe that is what the class is about. They learn fairly quickly in most classes that professional writing is more about rhetoric, design, usability, etc., than having an instructor step them through a particular software program.)
To accommodate their desires, however, I created approximately twenty tutorials that would help them learn programs such as those in Microsoft Office Suite, Macromedia Suite, Adobe Creative Suite, and also other programs including WS_FTP and CD-burning software, all of which they will use at some point in their professional writing courses and employment. These tutorials give basic instructions on how to create a product in that particular program (and for what purpose). I constructed these tutorials so that the product students create directly ties in to the parts of their web portfolio they will need to construct during their time in the 3410 class.
For example, they complete a set of tutorials on Adobe ImageReady and Macromedia Fireworks in which they learn how to slice a large image/web-interface (created in a previous tutorial) and add a pop-up navigational menu to one (or multiple) slice(s) of the interface. Typically (in 2004/5) students would implement the slicing and pop-up menu techniques for their web portfolio. In addition, students are required to write a contextualizing introduction (required in the Reflective Letter portion of the portfolio assignment) to each finished product, which doubles as an introduction to the artifact in their final web portfolio should they choose to use it.
narrative evaluations
- “Cheryl tried to help each person individually in class and tried to make time for each student.”
- Cheryl was “easy to talk to and learn from” and had “good enthusiasm for the course content.”
- “I really liked how enthusiastic Cheryl is about her job. She really cares about the students and wants them to do well.”
- “She responds well to the needs of her students.”
- “I feel like everything Cheryl presented to us was relevant. I’ve learned so many new things that are going to be especially helpful when I graduate. She is an excellent teacher! I feel like she has been one of the best new additions to this department.”
- “Great class, Cheryl! One of my best this semester. I really liked the one-on-one attention that I (and others) got. It helped the students to help each other toward the end of the portfolio construction. I liked the personal, active interaction with you.”
- “I feel like I am walking out of this class with a tremendous amount of knowledge and skills. I learned so much in this class, and that knowledge will be a great foundation for the rest of my classes.”
- “Cheryl is an excellent teacher! Her teaching theories (praxis) are some of the best I’ve seen.”
- “We didn’t just learn how to make a website, we learned good design and how we want to present ourselves to exmployers.”
accompanying materials
see also
Tags: new prep, SoTL, teaching challenge, undergraduate
Posted in Courses Taught | Comments Off
Tuesday, October 24th, 2006
citation
Ball, Cheryl; Atkins, Anthony; Anderson, Daniel; Homicz Millar, Krista; Selfe, Cynthia; & Selfe, Richard. (2004–05). Uncovering Theories & Practices of Multiliteracies & New Media Pedagogies. CCCC Research Initiative Grant: National Council of Teachers of English/Conference on College Composition & Communication. $5,000.
abstract
This group conducted a survey to discover what sorts of instruction is happening at institutions with a nascent or established curriculum of multimodal pedagogy especially as it relates to student and faculty production of multimodal texts. Our aim is to produce a snapshot of various programs working to integrate multimodality into their writing classes. From this data, we hope to provide the CCCC audience with a set of standards/guidelines for best practices within this growing field.
accompanying materials
see also
Tags: accepted, external funded, peer-reviewed, principle investigator, SoTL
Posted in External, Grants | No Comments »
Sunday, October 15th, 2006
This course, targeted at masters students in the Literature and Writing program, is a graduate-level special topics class.
Fall 2005 semester summary
I was asked to teach this online class—my first online teaching experience—so that distance students in the now-defunct online Literature & Writing program could finish their coursework. I focused on literary hypertext and aesthetic new media texts. Students read theory about and produced several genres of digital literary texts. The course was taught completely at a distance through Syllabase (USU’s own CMS), primarily using discussion forums.
Although it was a new prep in a new medium of delivery for me, overall I believe the course went well despite a rocky start regarding my trying to understand differing time management and assignment issues in an online learning space. The students enrolled in this class included those in the Literature and Writing, Online Technical Communication, American Studies, and Theory and Practice of Professional Communication graduate degrees. Each strand of our graduate program is represented because the class fulfills requirements in each while crossing interdisciplinary boundaries, depending on the topic. This class’s focus on literary hypertext and new media texts crosses academic boundaries, bringing together the tech comm and literature students, for instance, into some insightful discussions from different viewpoints.
- sections taught in department this term: 1
- number of students enrolled: 13
teaching innovations
This was the first online class I taught. It is also the first graduate class for which I have been the instructor of record, and it was a new prep for me. Although it got off to a rocky start because of my inexperience teaching solely online, it matured into a class and a medium I enjoy.
The main innovation I feel I have introduced to this special topics class is that of having students produce complicated new media texts at a distance. Learning to troubleshoot technological (as well as pedagogical) issues from a distance has helped me to rethink how I teach the same information in face-to-face classes like Professional Writing Technologies (3410) and to not take that knowledge for granted. Several final projects from this course have been featured in conference presentations and articles I have published.
narrative and numeric evaluations
Because Fall 2005 was the first semester that online evaluation forms were made available to distance students, only one student participated in filling a form out. Continuing Education, the department which oversees online course evaluations, mislabeled which class this evaluation was from (attaching it to an onsite, undergraduate course from the same semester). Thus, I do not have reliable evaluation data to show from this course.
accompanying materials
see also
Tags: graduate, new prep, online, SoTL
Posted in Courses Taught | No Comments »
Saturday, September 16th, 2006
citation
Ball, Cheryl E., & Rice, Rich. (2006). Reading the text: Remediating the text. Kairos: Rhetoric, Technology, Pedagogy, 10(2). http://kairos.technorhetoric.net/10.2/binder2.html?coverweb/riceball
abstract
This webtext, presented as a DVD interface, discusses the situational contexts of teachers’ assessment practices in student-produced new media texts. Ball discusses a “rhetoric of wow” in approaching the reading of student texts from technorhetorical and poetic lenses while Rice discusses using that rhetorical knowledge to avoid “schmoozery” (i.e., being bamboozled by students’ flashy, but arhetorical, technological prowess). The central discussion of this text focuses on a student-produced video for one of Ball’s classes, with the authors’ arguments about this text (and its rhetorical and pedagogical situating in the field) presented as DVD “extras” in the interface.
accompanying materials
Tags: articles published, collaborative, multimedia, online, open-access, peer-reviewed, SoTL, webtext
Posted in Peer-Reviewed Articles | 2 Comments »
Sunday, September 10th, 2006
citation
Ball, Cheryl E. & Arola, Kristin L. (2005). ix tech comm: visual exercises for technical communication [CD-ROM]. Boston: Bedford–St. Martin’s.
abstract [from CD cover]
ix tech comm offers a new way to visualize technical communication—because there are things you just can’t do in a book. Each of the 9 exercises moves through the following three steps: (1) Illustrated definitions help students visualize key concepts: text, purpose, element, context, audeince, color, contrast, emphasis, framing, alignment, proximity, organization, and sequence. (2) Guided analyses of real world texts—such as an X-men plane schematic, a bicycling safety PowerPoint presentation, and an illustrated recipe—model for students how to put theory into practice. (3) Interactive assignments invite students to make their own rhetorical choices—changing colors, determining alignment and typeface, and rearranging the elements of a web site’s navigation—and to write about the impact those choices have.
accompanying materials
- link to CD-ROM’s accompanying website
- email from teacher who uses ix: tech comm
Tags: CD-ROM, collaborative, editorially-reviewed, multimedia, published, SoTL
Posted in Publications, Textbook Projects | No Comments »
Thursday, September 7th, 2006
citation
Ball, Cheryl E. & Arola, Kristin L. (2004). ix: visual exercises [CD-ROM]. Boston: Bedford–St. Martin’s.
abstract
This CD-ROM introduces visual rhetoric theories to students and teachers using rhetorical terms with which they are already familiar. It includes visual readings and assignments that students in cultural-studies-focused writing classes are likely to encounter (e.g., advertisements, photographs, comics, illustrations, interactive web movies, etc.). The CD contains nine sections (i.e., “ix”); each section has approximately 20 unique screens of content. Total screen count is approximately 200.
status
- Update 01/09: Over 95,200 copies of ix have been distributed.
accompanying materials
- link to CD-ROM website
- review of CD from “next/text: what happens when textbooks go digital”, a subdivision of the Institute for the Future of the Book (linked to Internet Archive version; site has moved since 2005)
- review of CD in Computers and Composition
- email from teacher using ix
Tags: CD, CD-ROM, collaborative, editorially-reviewed, multimedia, published, SoTL
Posted in Publications, Textbook Projects | No Comments »
Monday, September 4th, 2006
citation
Ball, Cheryl E. (2004). Picturing Texts instructor’s guide. New York: W.W. Norton (pp. 1-114).
abstract
The Instructor’s Guide, which accompanies the Picturing Texts (Selfe, George, Palchek, & Faigley, 2004) composition textbook, suggests starting points for working with the discussion questions, advice to give students about the writing prompts, syllabi for several ways of using the book, and other ideas for working with Picturing Texts.
accompanying materials
- a review in C&C Online
- a review in Kairos
- This is a closed-access, print publication. For a copy, please contact a Norton sales rep.
Tags: closed-access, editorially-reviewed, print, published, SoTL
Posted in Publications, Textbook Projects | 1 Comment »
Sunday, September 3rd, 2006
citation
Ball, Cheryl E. (2005–06). Uncovering Theories and Practices of Multiliteracies and New Media Pedagogies. New Faculty Research Grant. Utah State University. $10,633.
abstract
Literacy has changed as a result of technology, shifting from pedagogies based solely on writing instruction to multimodal pedagogies. My research question for this project is to discover what issues and obstacles nascent and established programs that teach the production of multimodal texts face. This grant extends research on the CCCC grant received the previous year.
accompanying materials
see also
Tags: accepted, internal funded, principle investigator, SoTL, teaching-improvement effort
Posted in Grants, Internal | No Comments »