Tag: SoTL

Saturday, October 28th, 2006

Perspectives on Writing and Rhetoric (Eng 3040)

The 3040 class is a general-education (depth), upper-division writing class at Utah State University. (I usually refer to it as an advanced composition class.) Non-English-majors typically enroll, and the theme changes depending on the faculty member who teaches it.

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Fall 2004 summary
Fall 2004 was the first time that I taught English 3040. The focus was on multimodal composition, and the students created websites that demonstrated their rhetorical understanding of writing and design. Due to technological and scheduling constraints, however, the students were aggravated by their inability to complete what I was supposed to be teaching: video-editing, which I had been asked to teach but the lab was not capable of handing. This class was a huge teaching challenge for me, and I rewrote the syllabus several times upon discovery of each technological hindrance. I quickly learned what the lab could accommodate and worked closely with the systems administrator to update the hardware that I would need to teach this class in future semesters.

  • sections taught in department this term: 1
  • number of students enrolled: 25

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Spring 2005 summary
This course went much better than the Fall 2004 version. I changed the syllabus to accommodate the technological resources the department had, and the focus was on literary hypertexts. The course objectives — which included having students read about, analyze, and produce creative, digital texts — were spelled out for them from the beginning of the term. We were able to produce new media videos as a final project.

  • sections taught in department this term: 2 (mine & ‘medical writing’ which is technically offered through the Biology department, although they use our course number)
  • number of students enrolled: 18

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Summer 2005 summary
I taught this version of the class as a 5-day workshop (which at Utah State counted as a full, 3-credit class). I truncated the syllabus dramatically to overview all history and theory about electronic literature in the first day and had students working on video poems by the beginning of the second day. They had three days to complete all progress on the videos, which they presented to each other and to department colleagues in an open house on Friday morning.

  • number of students enrolled: 18
  • no other sections

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Fall 2006 summary
This is the third time I taught this course (in a full semester), although it was still a new prep because I kept changing the theme and major projects as the lab gathered more resources. The focus for Fall 2006 was on digital narratives. Students read about and produced a range of digital, narrative texts including iMixes, voiceovers, vogs, video or audio documentaries, and a final project of their choice. The assignments focus on how to rhetorically choose media that will meet the purpose and audience expectations of a given genre (or mixed-genre text).

  • sections taught in department this term: 2 (mine & ‘medical writing’, offered through the Biology Department)
  • number of students enrolled: 17

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teaching innovations
By the time I taught this class for the second time, I was able to procure [through the department and the Vice President of Research] digital video cameras for the students to use as well as hardware updates to accommodate digital video-editing in the English department computer lab. Thus, I was able to have students complete the final assignment of a new media video poem. (The assignment is included in the accompanying materials.)

For the Fall 2006 class on digital narratives, I used blogs for the first time in my teaching as a way for students to explore public/private issues when composing narratives and also as a way for them to communicate mid-week since the class meets once a week. A single blog was used for both this undergraduate class and my graduate class on multimodal composition, so that students could play with issues of audience in their comments. (The students themselves didn’t have blogs; an innovation I didn’t pick up for another two years.)

narrative evaluations

  • “I didn’t know what to expect, but I have really learned a lot from being here. My computer literacy, which was very low, grew a lot. I like how you have style and personality but still have the respeect because you know how to do it all.”
  • “The learning about rhetoric was subtle and fun!”
  • “Overall it was a fun class and was unexpectedly helpful with other classes and presentations. I liked learning about the 13 terms [from the ix: visual exercises CD, which we looked at in class] and how they relate to different kinds of communication. It’s cool to apply some of those terms to other things I’m doing in school. Thanks”
  • “I love Cheryl…her outlook and assignments were great.”
  • “Dr. Ball did really well in presenting the design considerations from the CD, and in teaching the class how to create web pages in Dreamweaver.”
  • “I am very satisfied that the university hired Cheryl Ball to teach this new style of English course. I was able to learn more applicable communication skills in this class than I did in all of my years in AP/Honors English. Great job!”
  • “Your teaching style really engages the class and makes it a fun class environment. I particularly liked the level of class discussion which you allowed. This really facilitated learning the subject matter.”
  • “It was the most interesting English class I’ve ever taken. You got me looking at writing and the formats of my papers in a whole new way.”
  • “Cheryl was very knowledgable and enthusiastic. It is a hands-on course that she actually gave us time to put our hands on.”
  • “I really liked the way the class was more of a discussion. It helped me feel a part. I also thought the assignments were both educational and fun.”
  • “It was good to learn new ways of looking at all things.”
  • “She has studied this a long time and is good at it. She assigns the right amount of workload for the class. I liked discussing the readings; it’s more helpful than just taking a quiz on them.”

accompanying materials

see also

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Saturday, October 28th, 2006

Professional Writing Technologies (Eng 3410)

English 3410 is one of two gateway classes into the Professional Writing Major in the English Department at Utah State University. The focus of the class is on rhetorical design skills in relation to image manipulation software and web design editors. Students are tasked with designing a web-based portfolio of their work, on which they build until they take the Capstone class as seniors. Students are required to earn a B- or better to enter the major. I taught this class twice: Fall 2004 and Fall 2005.

FALL 2004 summary
This class was a new prep since I was a new faculty member at the time. The students encountered problems with the technology because we had limited numbers of software licenses for the first half of the term, which made demo-ing the programs (Adobe and Macromedia Suites) in class and having students complete homework outside of class very difficult. Mid-term we got more licenses, which significantly helped the students’ learning and engagement in the class. Besides software, the students encountered many hardware problems because I was (unknowingly, at the time) asking them to design and save documents that the hardware couldn’t handle. As a class we discovered these problems and came up with some work-arounds, but the students were generally aggravated at the lack of technological resources.

  • sections taught in department this term: 1
  • number of students enrolled: 21*

*(I accidentally over-enrolled the class, which caused computer-access issues that we accommodated by having the extra student use the instructor’s computer workstation.)

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FALL 2005 summary
Fall 2005 was the second time I taught this course, and much of the technological problems encountered the first time I taught it were ameliorated. In addition to the web-portfolio project, I instituted several new assignments for this class, which I discuss below.

  • sections taught in department this term: 1
  • number of students enrolled: 17

teaching innovations
I changed the way I teach this class in the Fall of 2005 to include more instruction (albeit self-guided) in software programs since students had requested such instruction in this class the last time I taught it. (Students request direct instruction in software in most all of their professional writing classes because they believe that is what the class is about. They learn fairly quickly in most classes that professional writing is more about rhetoric, design, usability, etc., than having an instructor step them through a particular software program.)

To accommodate their desires, however, I created approximately twenty tutorials that would help them learn programs such as those in Microsoft Office Suite, Macromedia Suite, Adobe Creative Suite, and also other programs including WS_FTP and CD-burning software, all of which they will use at some point in their professional writing courses and employment. These tutorials give basic instructions on how to create a product in that particular program (and for what purpose). I constructed these tutorials so that the product students create directly ties in to the parts of their web portfolio they will need to construct during their time in the 3410 class.

For example, they complete a set of tutorials on Adobe ImageReady and Macromedia Fireworks in which they learn how to slice a large image/web-interface (created in a previous tutorial) and add a pop-up navigational menu to one (or multiple) slice(s) of the interface. Typically (in 2004/5) students would implement the slicing and pop-up menu techniques for their web portfolio. In addition, students are required to write a contextualizing introduction (required in the Reflective Letter portion of the portfolio assignment) to each finished product, which doubles as an introduction to the artifact in their final web portfolio should they choose to use it.

narrative evaluations

  • “Cheryl tried to help each person individually in class and tried to make time for each student.”
  • Cheryl was “easy to talk to and learn from” and had “good enthusiasm for the course content.”
  • “I really liked how enthusiastic Cheryl is about her job. She really cares about the students and wants them to do well.”
  • “She responds well to the needs of her students.”
  • “I feel like everything Cheryl presented to us was relevant. I’ve learned so many new things that are going to be especially helpful when I graduate. She is an excellent teacher! I feel like she has been one of the best new additions to this department.”
  • “Great class, Cheryl! One of my best this semester. I really liked the one-on-one attention that I (and others) got. It helped the students to help each other toward the end of the portfolio construction. I liked the personal, active interaction with you.”
  • “I feel like I am walking out of this class with a tremendous amount of knowledge and skills. I learned so much in this class, and that knowledge will be a great foundation for the rest of my classes.”
  • “Cheryl is an excellent teacher! Her teaching theories (praxis) are some of the best I’ve seen.”
  • “We didn’t just learn how to make a website, we learned good design and how we want to present ourselves to exmployers.”

accompanying materials

see also

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Tuesday, October 24th, 2006

“Uncovering Theories & Practices of Multiliteracies & New Media Pedagogies”

citation
Ball, Cheryl; Atkins, Anthony; Anderson, Daniel; Homicz Millar, Krista; Selfe, Cynthia; & Selfe, Richard. (2004–05). Uncovering Theories & Practices of Multiliteracies & New Media Pedagogies. CCCC Research Initiative Grant: National Council of Teachers of English/Conference on College Composition & Communication. $5,000.

abstract
This group conducted a survey to discover what sorts of instruction is happening at institutions with a nascent or established curriculum of multimodal pedagogy especially as it relates to student and faculty production of multimodal texts. Our aim is to produce a snapshot of various programs working to integrate multimodality into their writing classes. From this data, we hope to provide the CCCC audience with a set of standards/guidelines for best practices within this growing field.

accompanying materials

see also

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Sunday, October 15th, 2006

Studies in Writing & Rhetoric (Eng 6890)

This course, targeted at masters students in the Literature and Writing program, is a graduate-level special topics class.

Fall 2005 semester summary
I was asked to teach this online class—my first online teaching experience—so that distance students in the now-defunct online Literature & Writing program could finish their coursework. I focused on literary hypertext and aesthetic new media texts. Students read theory about and produced several genres of digital literary texts. The course was taught completely at a distance through Syllabase (USU’s own CMS), primarily using discussion forums.

Although it was a new prep in a new medium of delivery for me, overall I believe the course went well despite a rocky start regarding my trying to understand differing time management and assignment issues in an online learning space. The students enrolled in this class included those in the Literature and Writing, Online Technical Communication, American Studies, and Theory and Practice of Professional Communication graduate degrees. Each strand of our graduate program is represented because the class fulfills requirements in each while crossing interdisciplinary boundaries, depending on the topic. This class’s focus on literary hypertext and new media texts crosses academic boundaries, bringing together the tech comm and literature students, for instance, into some insightful discussions from different viewpoints.

  • sections taught in department this term: 1
  • number of students enrolled: 13

teaching innovations
This was the first online class I taught. It is also the first graduate class for which I have been the instructor of record, and it was a new prep for me. Although it got off to a rocky start because of my inexperience teaching solely online, it matured into a class and a medium I enjoy.

The main innovation I feel I have introduced to this special topics class is that of having students produce complicated new media texts at a distance. Learning to troubleshoot technological (as well as pedagogical) issues from a distance has helped me to rethink how I teach the same information in face-to-face classes like Professional Writing Technologies (3410) and to not take that knowledge for granted. Several final projects from this course have been featured in conference presentations and articles I have published.

narrative and numeric evaluations
Because Fall 2005 was the first semester that online evaluation forms were made available to distance students, only one student participated in filling a form out. Continuing Education, the department which oversees online course evaluations, mislabeled which class this evaluation was from (attaching it to an onsite, undergraduate course from the same semester). Thus, I do not have reliable evaluation data to show from this course.

accompanying materials

see also

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Saturday, September 16th, 2006

“Reading the Text: A Rhetoric of Wow”

citation
Ball, Cheryl E., & Rice, Rich. (2006). Reading the text: Remediating the text. Kairos: Rhetoric, Technology, Pedagogy, 10(2). http://kairos.technorhetoric.net/10.2/binder2.html?coverweb/riceball

abstractriceball
This webtext, presented as a DVD interface, discusses the situational contexts of teachers’ assessment practices in student-produced new media texts. Ball discusses a “rhetoric of wow” in approaching the reading of student texts from technorhetorical and poetic lenses while Rice discusses using that rhetorical knowledge to avoid “schmoozery” (i.e., being bamboozled by students’ flashy, but arhetorical, technological prowess). The central discussion of this text focuses on a student-produced video for one of Ball’s classes, with the authors’ arguments about this text (and its rhetorical and pedagogical situating in the field) presented as DVD “extras” in the interface.

accompanying materials

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Sunday, September 10th, 2006

“ix tech comm”

citation
Ball, Cheryl E. & Arola, Kristin L. (2005). ix tech comm: visual exercises for technical communication [CD-ROM]. Boston: Bedford–St. Martin’s.

abstract [from CD cover]ix-techcomm
ix tech comm offers a new way to visualize technical communication—because there are things you just can’t do in a book. Each of the 9 exercises moves through the following three steps: (1) Illustrated definitions help students visualize key concepts: text, purpose, element, context, audeince, color, contrast, emphasis, framing, alignment, proximity, organization, and sequence. (2) Guided analyses of real world texts—such as an X-men plane schematic, a bicycling safety PowerPoint presentation, and an illustrated recipe—model for students how to put theory into practice. (3) Interactive assignments invite students to make their own rhetorical choices—changing colors, determining alignment and typeface, and rearranging the elements of a web site’s navigation—and to write about the impact those choices have.

accompanying materials

  • link to CD-ROM’s accompanying website
  • email from teacher who uses ix: tech comm

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Thursday, September 7th, 2006

“ix visual exercises”

citation
Ball, Cheryl E. & Arola, Kristin L. (2004). ix: visual exercises [CD-ROM]. Boston: Bedford–St. Martin’s.

abstract
This CD-ROM introduces visual rhetoric theories to students and teachers using rhetorical terms with which they are already familiar. It includes visual readings and assignments that students in cultural-studies-focused writing classes are likely to encounter (e.g., advertisements, photographs, comics, illustrations, interactive web movies, etc.). The CD contains nine sections (i.e., “ix”); each section has approximately 20 unique screens of content. Total screen count is approximately 200.ix

status

  • Update 01/09: Over 95,200 copies of ix have been distributed.

accompanying materials

  • link to CD-ROM website
  • review of CD from “next/text: what happens when textbooks go digital”, a subdivision of the Institute for the Future of the Book (linked to Internet Archive version; site has moved since 2005)
  • review of CD in Computers and Composition
  • email from teacher using ix

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Monday, September 4th, 2006

“Picturing Texts Instructor’s Guide”

citation
Ball, Cheryl E. (2004). Picturing Texts instructor’s guide. New York: W.W. Norton (pp. 1-114).

pictextsinstrguide2abstract
The Instructor’s Guide, which accompanies the Picturing Texts (Selfe, George, Palchek, & Faigley, 2004) composition textbook, suggests starting points for working with the discussion questions, advice to give students about the writing prompts, syllabi for several ways of using the book, and other ideas for working with Picturing Texts.

accompanying materials

  • a review in C&C Online
  • a review in Kairos
  • This is a closed-access, print publication. For a copy, please contact a Norton sales rep.

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Sunday, September 3rd, 2006

“Uncovering Theories and Practices of Multiliteracies and New Media Pedagogies”

citation
Ball, Cheryl E. (2005–06). Uncovering Theories and Practices of Multiliteracies and New Media Pedagogies. New Faculty Research Grant. Utah State University. $10,633.

abstract
Literacy has changed as a result of technology, shifting from pedagogies based solely on writing instruction to multimodal pedagogies. My research question for this project is to discover what issues and obstacles nascent and established programs that teach the production of multimodal texts face. This grant extends research on the CCCC grant received the previous year.

accompanying materials

  • not available

see also

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