Tag: undergraduate
Monday, November 2nd, 2009
citation
Ball, Cheryl E., et al. (in progress). Talking back to teachers: Undergraduate research in multimodal composition. In Debra Journet, Cheryl E. Ball, and Ryan Trauman (Eds.) The new work of composing. Computers and Composition Digital Press/Utah State University Press.
abstract
This chapter is composed of 14 voices—12 undergraduates, 1 graduate student, and 1 faculty member (Cheryl E. Ball, contact author) from a multimodal composition class at Illinois State University. In a three-part chapter, we speak to the perceptions of undergraduate students’ technology use presented by scholarship, attendees at the Watson conference, and on our campus. The first section, presented as a video, reflects on conference attendees’ discussions of students who weren’t representative of the majority audience (professors and graduate students) at the conference. The second section, also presented as a video, asks how pedagogy needs to change to accommodate an increase in digital technology and what kind of cooperation is necessary between students and their teachers so both parties can effectively communicate to and learn from each other. The third section, presented as a MySpace page, argues that educators should incorporate social networks into their pedagogies because they offer a different way of composing. The sections will be presented together on the class blog, http://www.ceball.com/classes/239, where the index page will become a static Introduction to the chapter and each section will be presented as a page off the index. The benefit of hosting the site (for now) on the 239 class blog is so that readers can explore behind the scenes of our learning experience as we produced digital scholarship this semester.
status
- 12/08: proposal accepted for the collection
- 07/09: student projects revised
- 10/09: collection accepted by press
- 11/09: final chapter draft being readied for editors
accompanying materials
see also
Tags: chapters in-progress, collaborative, graduate, multimedia, online, open-access, peer-reviewed, service-learning, undergraduate, undergraduate research
Posted in Chapters | No Comments »
Friday, October 30th, 2009
This course is a required advanced writing class for some majors at Illinois State University. It also fulfills a requirement for a minor in writing. As of Fall 2009, I have taught this class once.
semesters & syllabi
description
I taught English 246 as an Audio Essay class, in the spirit of radio stories and documentaries like those heard on This American Life. We started by making playlists of favorite songs to introduce each other through musical choices (in order to discuss the rhetoric of music and other forms of audio). We then worked on audio poems for Poetry Radio on WGLT (the local NPR station), moved onto 5-7 minute audio documentary-like stories, and concluded with This I Believe reflections about the class and learning experience.
teaching innovations
- I installed Moodle, an open-source content-management system, for the first time on my personal server for students to use as a place to hold online discussions and to upload their audio files. I used about half the features in Moodle, students preferred it to Blackboard/WebCT, and so I may use it again, although the freely available ning platform, which was not available at the time, may be easier.
- This semester was the first time I used a blog platform for an entire syllabus. All schedules, policies, readings, resource links, and class news was posted to the class blog, which students seemed to like. (Still, however, I did not have students using their own blog; there wasn’t a purpose for that kind of blog-portfolio for this class.)
teaching challenge
A challenge I faced in teaching this course had to do with the available hardware in my classroom. Because this course isn’t always taught in a computer lab, I had originally been assigned a “dumb” classroom, which is what my field calls a classroom with no technology, as opposed to a “smart” classroom, a common term in instructional technology that refers to a classroom with at least a teacher’s computer station and projection equipment. So I switched into a computer classroom with 27 older stations and furniture that was literally falling apart. (Given that the building was currently undergoing life-safety renovations and this particular classroom was being phased out for the following year, I was happy to have it.) Although the machines did not have CD burners, which would normally be a must for an audio essay class, we made do. (It turns out that despite students’ lack of technical production in multimodal composition, they know how to burn CDs on their home computers. :) However, I had another challenge with this room, which was both technological and ideological: It was built to house a large seminar instead of a smaller-sectioned writing class, but the room layout was too long and narrow to conduct discussions. Each of the 3 classes assigned to that room that last semester of its existence had less than 22 students, so (with permission) I removed 5 computer stations and the worst of the broken desks, which made the room feel more cozy and condusive to discussion.
accompanying materials
Tags: new prep, teaching challenge, teaching innovation, undergraduate
Posted in Courses Taught | No Comments »
Friday, October 30th, 2009
Multimodal Composition is an upper-division writing elective for all majors at Illinois State University. As of Fall 2009, I have taught this course four times.
semesters & syllabi
- Fall 2007 (as English 289.22: Multimedia Writing Workshop): 18 students
- Fall 2008 (hereafter as English 239: Multimodal Composition): 12 students
- Spring 2009: 9 students (7 undergraduates & 2 graduate students, as independent studies)
- Fall 2009: 14 students (11 undergraduates & 3 graduate students, as independent studies)
description
Started as English 289.33: Multimedia Writing Workshop. I wrote the course proposal to turn it into a permanent class. During Fall 2007, I taught the course similarly to how I taught English 3040: Perspectives in Writing & Rhetoric the previous year as a faculty member at Utah State University; its topic was an open-assignment video course where students progressed from smaller, monomodal exercises to 5-minute multimodal videos of various genres. I didn’t like the organization for the course (as described in my teaching development plan under Teaching), so I changed the syllabus the next fall. For Fall 08, Spring 09, and Fall 09, the course focused on having students compose digital media scholarship for a peer-reviewed publication in English Studies. The publication venue changed for different semesters, as students responded to real calls for papers in the field of digital writing studies.
teaching innovations
- Fall 2007, I implemented a teaching innovation of showcasing the student’s work at the local, historic cinema. I was nominated for the department’s innovative teaching award for this effort, although it turned out I was ineligible because I had not been at ISU long enough to meet the award criteria of two years.
- Fall 2008 came a different innovation as I changed the syllabus — having students compose texts for peer-reviewed publications provided them with the elusive “authentic audience” while giving them a specific rhetorical situation in which to work. Also innovative this semester was taking as many of these students who could go to a national conference about multimodal composition. From this event, which they filmed, they built several digital media projects and proposed their inclusion into the digital conference proceedings. Their proposals were accepted, and as of Fall 2009, I am working with one student from that class to revise the student projects for publication.
accompanying materials
see also
Tags: new course, new prep, service-learning, SoTL, undergraduate, undergraduate research
Posted in Courses Taught | 1 Comment »
Friday, October 30th, 2009
citation
Advisor. (2009, Summer). Digital scholarship research and revision project (Matthew Wendling, undergraduate; Jonathan Myers, Masters). Illinois State University.
description
Wendling and Myers worked under my guidance to revise the digital media chapter that undergraduates in my Fall 2008 Multimodal Composition class authored for inclusion in the digital book I am co-editing, The New Work of Composing. Wendling’s work was supported through a Research and Sponsored Programs fellowship for undergraduate research.
accompanying materials
see also
Tags: masters, mentoring, service-learning, undergraduate, undergraduate research
Posted in Independent Studies | No Comments »
Friday, October 30th, 2009
Visible Rhetoric, at Illinois State University, is part of a set of upper-level, required electives (i.e., choose 2 of 3) for the English department’s undergraduate sequence in publishing studies and track in technical writing. As a 300-level class, it is also open to masters and PhD students who want to take a course that is part theory, part hands-on. Students learn theories of visual rhetoric (i.e., typefaces, color, materiality of a document) and learn to apply those theories to print documents using Adobe InDesign (among other programs). As of Fall 2009, I have taught this course once.
semesters & syllabi
- Fall 2007 (paper syllabus not currently available; lost in a hard-drive crash)
- Enrollment: 18 students (16 undergraduates, 1 Masters, 1 PhD student)
description
In my first semester at Illinois State, I taught English 350, modeling it on previous publications classes I taught, with the modification that this class didn’t need to focus on pre-press issues because the intro course in the publishing sequence does that. Students started by focusing on how the design of written text, including use of fonts, makes meaning for audiences/readers and designing small documents (flyers) in Microsoft Word. Then transferring that knowledge to larger projects and more complicated software programs (InDesign, Illustrator, Photoshop). Projects included collateral material (résumés, business cards, letterhead) and final projects of their choosing, which included chapbooks, children’s books, sets of print advertising material, etc.
teaching challenge
The challenge for me was two-fold: figuring out how to adapt a service-learning syllabus focusing on a single class project (i.e., a literary magazine) to individual projects, and accommodating learning needs at the undergraduate through PhD-level in one class. I didn’t feel very successful in doing this, and although I love teaching print design and visual rhetoric, I asked to be taken off the rotation for this course until I could figure out a better strategy. Another faculty member is teaching that course regularly now (and with seeming great success), so if I need to teach it again, I will sit in on her class to borrow some of her teaching strategies. Despite my hesitancy about the way I taught this class, I won a Sigma Tau Delta Teaching Award after undergraduates in that class nominated me.
accompanying materials
see also
Tags: graduate, new prep, teaching award, teaching challenge, undergraduate
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Friday, October 30th, 2009
citation
Ball, Cheryl E., & Ellison, Katherine. (2009, April 29). Editing online journals. Publications Unit Professional Speaker Series, Illinois State University.
description
For interns in the Publications Unit at ISU, Ellison and I spoke about our respective online journals (Kairos and Digital Defoe). We outlined the peer-review and editorial processes and how they might differ from print publications (which is what the interns focus on).
accompanying materials
Tags: graduate, guest lecture, professional development, speaker series, undergraduate
Posted in Workshops | No Comments »
Friday, October 30th, 2009
citation
Ball, Cheryl E. (2008, February 5). ‘Dr. Design’: On résumés and job negotiations. English Studies Capstone (Dr. Amy Robillard’s undergraduate seminar), Illiinois State University.
description
A two-hour guest lecture/workshop for one section of graduating seniors on how to prepare their résumés for the job market, including tips on designing the résumé and negotiating a job offer.
accompanying materials
Tags: guest lecture, professional development, undergraduate
Posted in Workshops | No Comments »
Friday, October 30th, 2009
citation
Ball, Cheryl E. (2004–2006, three lectures). Intro to New Media Texts. Teaching Literature course (Dr. Brock Dethier’s undergraduate seminar), Utah State University.
description
In three one-hour sessions, for three different sections of Teaching Literature (a methods class for English Education majors), I discussed why and how to integrate multimedia texts into a secondary education English classroom. Students in the class analyzed example new media texts and discussed how to use their critical and rhetorical knowledge as English majors to help them teach students to analyze nonwritten texts.
accompanying materials
Tags: guest lecture, undergraduate
Posted in Workshops | No Comments »
Tuesday, October 27th, 2009
citation
Ball, Cheryl E., & Hewett, Beth L. (2003). Issues of new media. Kairos: Rhetoric, Technology, Pedagogy, 8(1). http://english.ttu.edu/kairos/8.1/binder2.html?coverweb/index.html
description

Issue art designed by Mark Bildeaux (an undergraduate student of Cheryl's, at Michigan Tech)
This editorial column introduces five cutting-edge (in 2003, and some still) webtexts for the new media issue of Kairos. The column also discusses the history and reasons for choosing new media for this issue, definitions of new media that focus on how we distinguished it from other genres of online scholarship, why new media is necessary to explore in scholarship, and the changes in editorial processes we struggled with because of the new media texts that were submitted. (Historical note: This issue of Kairos launched my research agenda into new media scholarship.)
accompanying materials
Tags: collaborative, editorial column, mentoring, multimedia, online, open-access, pre-tenure track, published, undergraduate
Posted in Non-Refereed Articles, Publications | No Comments »
Wednesday, March 11th, 2009
citation
Undergraduate student Andrew Chamberlain. (2008, Fall). Advanced Multimodal Composition. Illinois State University.
description
Fall 2008 Independent Study with Andrew J. Chamberlain (undergraduate, senior); he sat in on my English 239: Multimodal Composition class to work on an individual, advanced, sustained digital scholarship project; co-teach some class sessions; and organize the students who attended a 3-day academic conference in Louisville, KY.
accompanying materials
Tags: for credit, independent study, undergraduate
Posted in Independent Studies | No Comments »
Thursday, December 7th, 2006
citation
Anderson, Daniel; Anthony Atkins, Cheryl Ball, Krista Homicz Millar, Cynthia Selfe, Dickie Selfe [Writers], & Matt Bemer [Designer]. (2006). Data from a CCCC research grant survey on teaching multimodal composition. Composition Studies 34(2). http://www.compositionstudies.tcu.edu/archives/342/cccc-data/
abstract
This website accompanies an article appearing in the print version of Composition Studies entitled “Integrating Multimodality in Composition Curricula: Survey Methodology and Results from a CCCC Research Initiative Grant.” In that article the authors provided methodologies and outcomes of a national survey conducted in 2005 to discover how instructors use multimodal composition practices in their writing classrooms and research. Supported by a research initiative of the Conference on College Composition and Communication, the survey was designed to identify instruction in which students and faculty members produce (not just analyze) multimodal texts. The aim of that article is to present a snapshot of instructors working to integrate these new semiotic forms into writing classes. The data in this report includes the questions from and responses to the 141-question survey.
accompanying materials
Tags: collaborative, data, grant outcome, online, open-access, published, undergraduate, webtext
Posted in Publications, Technical Reports | 3 Comments »
Saturday, October 28th, 2006
This course, targeted at graduating seniors in the Professional Writing major at Utah State University, uses a common syllabus designed to have students gain an understanding of the technical writing job market as well as to produce materials they can use in job interviews (such as a résumé, cover letter, and print and web portfolios).
SPRING 2006 summary
This was the first time I taught Capstone, and I adapted a weekly schedule based on the common syllabus that USU professional writing faculty members Kelli Cargile Cook, Charlotte Thralls, and Mark Zachry produced in the early 2000s.
- sections taught in department this term: 1
- number of students enrolled: 13
teaching innovations
I made one major change to the standard syllabus for this class, and that was to assign the capstone students to work two hours in the departmental computer lab. I instituted this pilot program to see whether those in their final year of school—who knew the lab and its software best—would make ideal lab consultants. However, the students misinterpreted my reasons for wanting them to work in the lab and assumed that it was so that the lab didn’t need to have to pay consultants. (I was Acting Lab Director at the time, so this class assignment was received as my trying to get the students to work for free.) Thus, the majority of the students complained that the experience was a waste of their time. Sadly, they didn’t take advantage of the many professional development opportunities I knew this work would provide for them, and my suggestions on how they might make the situation more useful for themselves remained unused. I’m still considering what I might learn from this situation that will be of use the next time I think about implementing professional development and service learning into my course goals.
teaching challenge
In addition to the above challenges to my innovation, this course proved to be difficult for me not because of subject matter (professionalization, which is right up my research alley) but because I intervened in an incident involving one of the students overstepping her boundaries in the departmental lab prior to the semester starting. A lab consultant had to call the campus police, and as Acting Lab Director, I revoked her privileges. However, she had to take my course, so we agreed on terms of proceeding before the semester. In the end, her behavior did not improve and class was disrupted, evidenced by a downward trend in my teaching evaluations for that class. Should this unique situation happen again, I believe the solution would be to work with advisers and find alternate class arrangements for the student.
narrative evaluations
- The interview process was fun and very helpful. Cheryl gave some good stories and examples from her life that helped us see what the real world is like.
- I have two great portfolios now! I’m ready to get a job, or at least apply for one, and I wasn’t before this class.
- Cheryl was interested in what the students want to do with their future. She has good networking and interviewing examples to share.
- Dr. Ball is a talented designer and she has enthusiasm for design and online teaching. She has contemporary insights into the job market and the skills required to get hired and be a competitive tech writer. Dr. Ball is great at what she does.
- I liked the immediacy of our concerns, the reality and importance of everything we’ve been learning at university. Cheryl’s attitude of professionalism without too much idealism/stuffiness was nice.
- She has a weird idea of what a good design is and those that didn’t use pink flamingos had a poor design even if it refleted us. We should be able to choose what works for us, otherwise she needs to design portfolios for each student so that we do exactly what she wants.
- Good things: Cheryl was happy. She has energy. She fed us poundcake. Once. We got the recipe. We built portfolios. This is good.
accompanying materials
Tags: new prep, professional development, service-learning, teaching challenge, undergraduate
Posted in Courses Taught | No Comments »
Saturday, October 28th, 2006
The purpose of this course at Utah State University was to introduce professional/technical writing majors to pre-press and printing processes for large-scale print documents. We covered printing terminology, color types, production management techniques, image manipulation for print documents, and pre-press guidelines. Editing and working with clients as well as establishing baseline differences between print and web publications was also part of the course goals.
SPRING 2005 summary
The majority of this class was spent designing the campus literary magazine, Scribendi, a project that provided many collaborative opportunities for students, which I describe in detail below.
- sections taught in department this term: 1
- number of students enrolled: 19
teaching innovations
This class was a new prep for me at Utah State. I implemented an idea I used for a similar class at a previous school—having students re/design the campus literary magazine. The purpose of this assignment is to give students a real-world example of preparing a large-scale document for a printing press (including real-world deadlines, budgets, and clients). The past editors of Scribendi, the literary magazine at USU, were thrilled to have students work on updating the design. (Past editors were volunteer English department staff and faculty members assigned to oversee the creative writing contest, winners of which were published in the magazine.)
In class, the students worked in small groups to complete the redesign:
- four groups worked on the main content and design (after a collaborative effort on making a template). Each group consisted of a book designer, a graphic designer, and an editor, and the three members worked collectively on one signature (16-page spread) of the magazine;
- a fifth group was responsible for the design template that every group used, the cover, table of contents, and other front- and backmatter;
- a sixth group was the marketing and budget team. They were responsible for raising money (which they elected to do rather than stick with the current budget, even though I informed them that it was not a part of the class) and for writing promotional materials.
The students worked with several clients including the new creative writing contest director, Anne Shifrer, to collect the winning entries; choose how many would fit in the pages we had the budget for; edit the entries and insert them into the template in an appropriate sequence based on thematic issues; collected graphics from artists on campus and matched the graphics to specific texts; and prepared the entire publication for printing. In addition, they raised a significant amount of money (nearly $1,500 in a month) so that they could publish 1,000 copies on a professional press instead of photocopying 100 for departmental use, as had been done in past years.
Because students had a limited budget for printing, which meant a limited number of pages they could print, they decided (with my guidance) to excerpt several large stories and place all winners in their entirety on an accompanying website. Thus, students also had the chance to design the publication for a second medium. The website is linked at the bottom of this post.
Finally, students presented fresh-off-the-press copies of Scribendi to the campus at the annual Student Showcase for undergraduate research. They created a poster to outline their hands-on research activities and distributed nearly 700 copies that week to stakeholders and students around the campus and the community. (The rest of the copies were kept to include in the students’ portfolios and for departmental recruiting efforts.)
narrative evaluations
- “Cheryl has an incredible knack for helping students take charge of their learning. She has such a personable nature that students feel elevated to her level. Cheryl is a great professor, and a mentor that keeps me striving to impress! 10 out of 10.”
- “I thought that the objectives were very clear and we always knew what was expected of us. I also thought the expectations of us were high, which helped us to learn more. I am glad that I had the opportunity to take this class from Cheryl Ball. I thought she was a very good teacher.”
- “Cheryl Rocks! She really pushes for quality and her attitude is positive. She doesn’t take b.s. from anyone and she’s extremely knowledgable about technology that we’re suposed to learn. I appreciate that…. She goes the extra mile.”
- “I felt that the literary magazine redesign was a very good teaching process for publication production. I enjoyed learning the process of publishing an actual magazine. Cheryl, I appreciate the knowledge that you shared with us. I am glad to have a professor that has such a great knowledge of what we are doing, particularly about making a publication as a student [refering to my experiences making litmags when I was a student]. Thank you, Cheryl. You rock! And we learned a lot about responsibility.”
- “I never knew publication production could be so exciting.”
accompanying materials
Tags: new prep, service-learning, SoTL, undergraduate, undergraduate research
Posted in Courses Taught | No Comments »
Saturday, October 28th, 2006
The 3040 class is a general-education (depth), upper-division writing class at Utah State University. (I usually refer to it as an advanced composition class.) Non-English-majors typically enroll, and the theme changes depending on the faculty member who teaches it.
———————————
Fall 2004 summary
Fall 2004 was the first time that I taught English 3040. The focus was on multimodal composition, and the students created websites that demonstrated their rhetorical understanding of writing and design. Due to technological and scheduling constraints, however, the students were aggravated by their inability to complete what I was supposed to be teaching: video-editing, which I had been asked to teach but the lab was not capable of handing. This class was a huge teaching challenge for me, and I rewrote the syllabus several times upon discovery of each technological hindrance. I quickly learned what the lab could accommodate and worked closely with the systems administrator to update the hardware that I would need to teach this class in future semesters.
- sections taught in department this term: 1
- number of students enrolled: 25
——————————–
Spring 2005 summary
This course went much better than the Fall 2004 version. I changed the syllabus to accommodate the technological resources the department had, and the focus was on literary hypertexts. The course objectives — which included having students read about, analyze, and produce creative, digital texts — were spelled out for them from the beginning of the term. We were able to produce new media videos as a final project.
- sections taught in department this term: 2 (mine & ‘medical writing’ which is technically offered through the Biology department, although they use our course number)
- number of students enrolled: 18
———————————-
Summer 2005 summary
I taught this version of the class as a 5-day workshop (which at Utah State counted as a full, 3-credit class). I truncated the syllabus dramatically to overview all history and theory about electronic literature in the first day and had students working on video poems by the beginning of the second day. They had three days to complete all progress on the videos, which they presented to each other and to department colleagues in an open house on Friday morning.
- number of students enrolled: 18
- no other sections
———————————-
Fall 2006 summary
This is the third time I taught this course (in a full semester), although it was still a new prep because I kept changing the theme and major projects as the lab gathered more resources. The focus for Fall 2006 was on digital narratives. Students read about and produced a range of digital, narrative texts including iMixes, voiceovers, vogs, video or audio documentaries, and a final project of their choice. The assignments focus on how to rhetorically choose media that will meet the purpose and audience expectations of a given genre (or mixed-genre text).
- sections taught in department this term: 2 (mine & ‘medical writing’, offered through the Biology Department)
- number of students enrolled: 17
——————————–
teaching innovations
By the time I taught this class for the second time, I was able to procure [through the department and the Vice President of Research] digital video cameras for the students to use as well as hardware updates to accommodate digital video-editing in the English department computer lab. Thus, I was able to have students complete the final assignment of a new media video poem. (The assignment is included in the accompanying materials.)
For the Fall 2006 class on digital narratives, I used blogs for the first time in my teaching as a way for students to explore public/private issues when composing narratives and also as a way for them to communicate mid-week since the class meets once a week. A single blog was used for both this undergraduate class and my graduate class on multimodal composition, so that students could play with issues of audience in their comments. (The students themselves didn’t have blogs; an innovation I didn’t pick up for another two years.)
narrative evaluations
- “I didn’t know what to expect, but I have really learned a lot from being here. My computer literacy, which was very low, grew a lot. I like how you have style and personality but still have the respeect because you know how to do it all.”
- “The learning about rhetoric was subtle and fun!”
- “Overall it was a fun class and was unexpectedly helpful with other classes and presentations. I liked learning about the 13 terms [from the ix: visual exercises CD, which we looked at in class] and how they relate to different kinds of communication. It’s cool to apply some of those terms to other things I’m doing in school. Thanks”
- “I love Cheryl…her outlook and assignments were great.”
- “Dr. Ball did really well in presenting the design considerations from the CD, and in teaching the class how to create web pages in Dreamweaver.”
- “I am very satisfied that the university hired Cheryl Ball to teach this new style of English course. I was able to learn more applicable communication skills in this class than I did in all of my years in AP/Honors English. Great job!”
- “Your teaching style really engages the class and makes it a fun class environment. I particularly liked the level of class discussion which you allowed. This really facilitated learning the subject matter.”
- “It was the most interesting English class I’ve ever taken. You got me looking at writing and the formats of my papers in a whole new way.”
- “Cheryl was very knowledgable and enthusiastic. It is a hands-on course that she actually gave us time to put our hands on.”
- “I really liked the way the class was more of a discussion. It helped me feel a part. I also thought the assignments were both educational and fun.”
- “It was good to learn new ways of looking at all things.”
- “She has studied this a long time and is good at it. She assigns the right amount of workload for the class. I liked discussing the readings; it’s more helpful than just taking a quiz on them.”
accompanying materials
see also
Tags: new prep, SoTL, teaching challenge, undergraduate
Posted in Courses Taught | 1 Comment »
Saturday, October 28th, 2006
English 3410 is one of two gateway classes into the Professional Writing Major in the English Department at Utah State University. The focus of the class is on rhetorical design skills in relation to image manipulation software and web design editors. Students are tasked with designing a web-based portfolio of their work, on which they build until they take the Capstone class as seniors. Students are required to earn a B- or better to enter the major. I taught this class twice: Fall 2004 and Fall 2005.
FALL 2004 summary
This class was a new prep since I was a new faculty member at the time. The students encountered problems with the technology because we had limited numbers of software licenses for the first half of the term, which made demo-ing the programs (Adobe and Macromedia Suites) in class and having students complete homework outside of class very difficult. Mid-term we got more licenses, which significantly helped the students’ learning and engagement in the class. Besides software, the students encountered many hardware problems because I was (unknowingly, at the time) asking them to design and save documents that the hardware couldn’t handle. As a class we discovered these problems and came up with some work-arounds, but the students were generally aggravated at the lack of technological resources.
- sections taught in department this term: 1
- number of students enrolled: 21*
*(I accidentally over-enrolled the class, which caused computer-access issues that we accommodated by having the extra student use the instructor’s computer workstation.)
———————————
FALL 2005 summary
Fall 2005 was the second time I taught this course, and much of the technological problems encountered the first time I taught it were ameliorated. In addition to the web-portfolio project, I instituted several new assignments for this class, which I discuss below.
- sections taught in department this term: 1
- number of students enrolled: 17
teaching innovations
I changed the way I teach this class in the Fall of 2005 to include more instruction (albeit self-guided) in software programs since students had requested such instruction in this class the last time I taught it. (Students request direct instruction in software in most all of their professional writing classes because they believe that is what the class is about. They learn fairly quickly in most classes that professional writing is more about rhetoric, design, usability, etc., than having an instructor step them through a particular software program.)
To accommodate their desires, however, I created approximately twenty tutorials that would help them learn programs such as those in Microsoft Office Suite, Macromedia Suite, Adobe Creative Suite, and also other programs including WS_FTP and CD-burning software, all of which they will use at some point in their professional writing courses and employment. These tutorials give basic instructions on how to create a product in that particular program (and for what purpose). I constructed these tutorials so that the product students create directly ties in to the parts of their web portfolio they will need to construct during their time in the 3410 class.
For example, they complete a set of tutorials on Adobe ImageReady and Macromedia Fireworks in which they learn how to slice a large image/web-interface (created in a previous tutorial) and add a pop-up navigational menu to one (or multiple) slice(s) of the interface. Typically (in 2004/5) students would implement the slicing and pop-up menu techniques for their web portfolio. In addition, students are required to write a contextualizing introduction (required in the Reflective Letter portion of the portfolio assignment) to each finished product, which doubles as an introduction to the artifact in their final web portfolio should they choose to use it.
narrative evaluations
- “Cheryl tried to help each person individually in class and tried to make time for each student.”
- Cheryl was “easy to talk to and learn from” and had “good enthusiasm for the course content.”
- “I really liked how enthusiastic Cheryl is about her job. She really cares about the students and wants them to do well.”
- “She responds well to the needs of her students.”
- “I feel like everything Cheryl presented to us was relevant. I’ve learned so many new things that are going to be especially helpful when I graduate. She is an excellent teacher! I feel like she has been one of the best new additions to this department.”
- “Great class, Cheryl! One of my best this semester. I really liked the one-on-one attention that I (and others) got. It helped the students to help each other toward the end of the portfolio construction. I liked the personal, active interaction with you.”
- “I feel like I am walking out of this class with a tremendous amount of knowledge and skills. I learned so much in this class, and that knowledge will be a great foundation for the rest of my classes.”
- “Cheryl is an excellent teacher! Her teaching theories (praxis) are some of the best I’ve seen.”
- “We didn’t just learn how to make a website, we learned good design and how we want to present ourselves to exmployers.”
accompanying materials
see also
Tags: new prep, SoTL, teaching challenge, undergraduate
Posted in Courses Taught | Comments Off